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Building the Operatic Museum: Eighteenth-Century Opera in Fin-de-Siecle Paris

William Gibbons

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ISBN 10: 1580464009 / ISBN 13: 9781580464000
Published by University of Rochester Press
New Condition: New Hardcover
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Hardcover. 280 pages. Dimensions: 9.4in. x 6.1in. x 1.1in.Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this museum transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness. William Gibbons is Assistant Professor of Musicology at Texas Christian University. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Bookseller Inventory # 9781580464000

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Bibliographic Details

Title: Building the Operatic Museum: ...

Publisher: University of Rochester Press

Binding: Hardcover

Book Condition:New

Book Type: Hardcover

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Synopsis:

Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness.

William Gibbons is Associate Professor of Musicology at Texas Christian University.

Book Description:

Gibbons's well-written study of the productions of eighteenth-century operas in late nineteenth-century Paris considers broad issues of edition-making, nationalist interpretation, allegorical readings, and value judgment. An important addition to critical reflections on canon building. --Steven Huebner, McGill University

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