CONTACT WARHOL - Photography Without End. With contributions by Jessica Beck, Jon Davies, and Alexis Bard Johnson. [Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University, September 29, 2018-January 6, 2019.

Warhol, Andy - Peggy Phelan [and] Richard Meyer

ISBN 10: 0262038994 / ISBN 13: 9780262038997

Published by Stanford. Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University., 2018

About this Item

1. Auflage. 31 x 25 cm. 231 S. OPappband. Stauchungen an der unteren Stoßkante, sonst sehr gutes Exemplar. Texte in Englisch. Durchgehend mit Abbildungen versehen. Sprache: englisch.

Seller Inventory # 66707BB

Bibliographic Details

• Title: CONTACT WARHOL - Photography Without End. With contributions by Jessica Beck, Jon Davies, and Alexis Bard Johnson. [Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University, September 29, 2018-January 6, 2019.
• Publisher: Stanford. Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University.
• Publication Date: 2018
• Language: English
• ISBN 10: 0262038994
• ISBN 13: 9780262038997
• Binding: Hardcover
• Seller catalogs:
  • Kunst: Andy Warhol

About this title

Synopsis

Andy Warhol's daily practice of photography during the last decade of his life, examined and documented for the first time.

“A picture means I know where I was every minute. That's why I take pictures.”
—Andy Warhol

From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. Friends, boyfriends, business associates, socialites, celebrities, passers by: all captured Warhol's attention—at least for the moment he looked through the lens. In a way, Warhol's daily photography practice anticipated our current smart phone habits—our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs—Warhol's final body of work

Peggy Phelan and Richard Meyer analyze the contact sheets, never before seen, and their importance in Warhol's oeuvre. Accompanying their text and other essays are reproductions of contact sheets, photographs, and other visual material. The contact sheets present Warhol's point of view, unedited; we know where he was every minute because a photograph remembers it.

Copublished with the Cantor Arts Center

About the Author

Richard Meyer is Robert and Ruth Halperin Professor in Art History at Stanford University. He is the author of What Was Contemporary Art? (MIT Press) and other books.