Castle (Definative Edition)

Kafka, Franz; (Willa Muir; Edwin Muir; Eithne Wilkins; Ernst Kaiser) trans.

ISBN 10: 039441862X / ISBN 13: 9780394418629

Published by Knopf, New York, NY, 1964

About this Item

481 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. Jacket not price clipped ($4.95). Originally published in 1930. This copy is the April 1964 printing. The jacket has one small chip and shows light wear on the extremities. NOTE: The typography, binding and dust jacket design are by George Salter. Seller Inventory # 092087

Bibliographic Details

Title: Castle (Definative Edition)

Publisher: Knopf, New York, NY

Publication Date: 1964

Binding: Hardcover

Condition: Very Good

Dust Jacket Condition: Very Good Dust Jacket

About this title

Synopsis:

7.7" * 5.2". Grey cloth hardcover.

Review:

They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.

One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach.