The Castle Kafka, Franz

Kafka, Franz

ISBN 10: 039441862X / ISBN 13: 9780394418629

Published by Knopf, 1954

About this Item

1954 Knopf hard cover - 1st printing of the definitive edition - some wear to edges of dust jacket - tanning to page edge - otherwise cover and binding like new contents clean - a fine copy - enjoy.

Seller Inventory # N5-E6PF-HS34

Bibliographic Details

• Title: The Castle Kafka, Franz
• Publisher: Knopf
• Publication Date: 1954
• Language: English
• ISBN 10: 039441862X
• ISBN 13: 9780394418629
• Binding: Hardcover
• Condition: Very Good
• Weight: 19 ounces

About this title

Synopsis

Famed novel by Franz Kafka.

Review

They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.

One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach.