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The Chelsea Girl Murders (Signed First Edition)

Sparkle Hayter

292 ratings by Goodreads
ISBN 10: 0688155189 / ISBN 13: 9780688155186
Hardcover
From Dan Pope Books (West Hartford, CT, U.S.A.)

AbeBooks Seller Since October 12, 2002

Quantity Available: 1

About this Item

London: No Exit Press [2000]. First edition. First printing. Hardbound. NEW/NEW. Very fine in dust jacket. A pristine unread copy. SIGNED by the author on title page, number 361 of 500 signed copies. 0.0. Bookseller Inventory # phip10

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Bibliographic Details

Title: The Chelsea Girl Murders (Signed First ...

Binding: Hardcover

Dust Jacket Condition: Dust Jacket Included

Signed: Signed by Author(s)

Edition: F....

About this title

Synopsis:

Sparkle Hayter, known for her quirky mysteries described in turn as "hilarious" (Entertainment Weekly), "sassy and bright" (Kirkus Reviews), and "flat-out funny, audacious and a little weird" (Publishers Weekly), checks her latest Robin Hudson mystery into Manhattan's most outrageous hotel, where art is a way of life-and death-in The Chelsea Girl Murders.

When a fire forces TV executive Robin Hudson to vacate her apartment, she and her cat, Louise Bryant, move into the fabled Chelsea Hotel, the bohemian hostelry where artists both famous and infamous have long lived in semipeaceful coexistence with countless hangers-on, wanna-bes, and rubberneckers looking for the "real" New York.

Then a smoky-eyed art dealer she's just met dies on her doorstep, drawing Robin reluctantly into a murder investigation. Is the murder related in some way to the star-crossed and rather irritable young lovers who have appealed to Robin for help? Or to a deadly catfight between rival lovers of the dead man? And how do the cake-baking nuns of Immaculate Confection, Inc., figure in it?

To sort it out, Robin must brave the whole downtown scene and more: guerrilla artists, jealous women, Zen bodybuilders, gouty widows, and befuddled tourists. It could make a girl crazy, having to dig deep into the history of the venerable hotel nicknamed (not without reason) "the mother ship." Oh, plus...one final, terrible complication: Robin seems to have fallen accidentally in love.

Review:

Robin Hudson has reason to believe that the only cosmic order ruling her existence is Murphy's Law. What else could a woman think when her pious, next- door neighbor's electric Jesus display shorts out and burns down their East Village apartment building? Bad enough that she's just returned from a disastrous PR trip for TV network WNN. Who knew that touching Thai children's heads put a curse on them, or that in Russia, an even number of flowers is appropriate only for a funeral, not for a dinner party? Who knew that certain colleagues are plotting to oust her from the network, and that Pierre, her recent French fling, isn't calling. Now she's homeless. It's a good thing her friend Tamayo has offered her the use of an apartment in the famed artists' haven, the Chelsea. A little peace and quiet in an artistic setting is just what Robin needs.

But when a teenager named Nadia shows up on Tamayo's doorstep eager to be reunited with her fiancé, courtesy of Tamayo's underground lovers' railroad, Robin finds herself playing nurse to a spoiled-rotten Juliet. And when Nadia goes missing before her Romeo (Rocky) arrives, the next person at the door is enough to cross anyone's stars: Gerald Woznik--art dealer, lecher, and all- around cad, who stumbles across the threshold and inconsiderately dies.

Between finding Nadia, feeding Rocky, and fending off the police, Robin embarks on a one-woman campaign to solve the woes of the world--and opens a sizeable can of worms. What was socialite Grace Rouse doing clinging to the Chelsea fire escape the night Gerald was murdered? Why is art doyenne Miriam Grundy lying about meeting Nadia? And who is the "Baby" that everyone is talking about?

More comic novel than mystery, The Chelsea Girl Murders takes its readers on a rollicking jaunt through the Big Apple. Whodunit isn't nearly as important as what's-Robin-gonna-do-about-it, and some of her solutions are pricelessly funny. As in her previous Robin Hudson outings (Revenge of the Cootie Girls, Nice Girls Finish Last, What's A Girl Gotta Do, The Last Manly Man), Sparkle Hayter's observations on New Yorkers and their loony obsessions have just the right dash of caustic wit. Fans of Janet Evanovich's Stephanie Plum can add another star to the pantheon of Northeastern femmes formidables. --Kelly Flynn

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