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The Inner City Mother Goose

Eve Merriam

87 ratings by Goodreads
ISBN 10: 0671880330 / ISBN 13: 9780671880330
Published by Simon & Schuster (Juv)
Condition: GOOD Hardcover
From OwlsBooks (Toledo, OH, U.S.A.)

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Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, that’ll have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included. Bookseller Inventory # 2511820183

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Bibliographic Details

Title: The Inner City Mother Goose

Publisher: Simon & Schuster (Juv)

Binding: Hardcover

Book Condition:GOOD

About this title


Commenting on political and social issues related to the conditions of the inner city and inner city life, provocative new versions of the classic Mother Goose rhymes, originally published in 1969, are accompanied by new full-color illustrations by the Caldecott Medalist for Smoky Night.

From Booklist:

Gr. 9^-12. Anyone who thinks that "inner city" and "Mother Goose" are incompatible hasn't read a good collection of the rhymes to a child at bedtime and wondered, "Maybe I should skip this one . . ." These traditional rhymes have been violent from the beginning, and their origins often lay in social commentary. The Inner City Mother Goose makes no pretense of appealing to children. Someday, perhaps, the rhymes' biting, ironic commentary will be so far removed from reality that they become nonsense, but that day seems no closer than it was 27 years ago when the first edition of The Inner City Mother Goose was published as an adult book. The 1970 Booklist review called its verse "lacerating little rhymes, worlds removed in mood and content from the traditional Mother Goose poems." Most of the verses were illustrated with striking, gritty black-and-white photographs.

Now published as a young adult book, the new edition includes a number of poems written after the first. It also omits several from the original book. Acrylic paintings by Caldecott-winner David Diaz illustrate 10 of the verses. Although the more sophisticated art in the first edition may actually have greater appeal to young adults, Diaz's small, intense paintings create portraits rich in composition, color, and gesture. The images, almost mythic in their sense of representing more than individual people, seem to move with the rhythm of the verse.

No matter which illustrations the reader prefers, the power is in the poetry. As in any collection, some of the poems are better than others. As in any parody, knowledge of the original adds greatly to a reading of the verses. Still, the poems come together, uneven but undeniably powerful. They make their statements in different ways, with different tones, all contributing to a chorus that comes through loud and clear. When they first appeared, these poems sounded modern in spite of their nursery rhyme inspiration. They still do.

Merriam's introduction to the second edition (1982) is reprinted here. In it, Merriam comments that the book became "just about the most banned book in the country," with most of the criticism centering on one vulgar word, though broadening into more general charges that seemed to confuse cause and effect. Some of the poems concern aspects of our society, such as violence, racism, and corruption, that most of us prefer to leave in darkness. Instead, the poetry occasionally flashes like summer lightning, suddenly illuminating what we would rather not see and exposing our fears in its swift, cold light.

Whatever its history, and wherever librarians choose to shelve it, this book belongs in libraries: not because it mimics Mother Goose, not because it stirs controversy, but because it speaks with such clarity and in such an unexpected form. Carolyn Phelan

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