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The Closers

Connelly, Michael

30,131 ratings by Goodreads
ISBN 10: 0316734942 / ISBN 13: 9780316734943
Published by Little, Brown and Company, 2005
Condition: Fine Hardcover
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About this Item

Signed by Author 0316734942 This hardcover book is Fine, being square and tight. The boards and spine have no wear with pristine lettering. The pages and endpages are clean, with no markings or folds. The dustjacket is As New. Original Price is intact. Not ex-lib. No remainder mark. This copy is signed by the Author on the title page without inscription. Bookseller Inventory # 006938

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Bibliographic Details

Title: The Closers

Publisher: Little, Brown and Company

Publication Date: 2005

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: As New

Signed: Signed by Author(s)

Edition: First Edition.

About this title

Synopsis:

The death of a teenage girl almost two decades ago comes back to haunt all of L.A. - and detective Harry Bosch in this spellbinding new thriller from New York Times bestselling author Michael Connelly.

In Los Angeles in 1998, a 16 year old girl who had disappeared from her home was later found dead with a single gunshot wound to the chest. The death appeared at first to be a suicide, and although detectives on the case found clues that pointed toward murder, no one was ever charged. Detective Larry Bosch, newly returned to the LAPD with the job of closing unsolved cases, gets the report of a new DNA match that makes the case very much alive again. A white supremacist with close ties to the LAPD becomes a suspect but Bosch and his partner, Kizmin Rider, can't take a step without threatening higher ups in the department.

And the case turns out to be anything but cold. Everywhere he probes, Bosch finds hot grief, hot rage, and a bottomless well of treachery and danger. Enemies inside the department make Bosch wonder if he's been allowed to rejoin the LAPD only because they needed a fresh victim.

Review:

"A city that forgets its murder victims is a city lost. This is where we don't forget," Detective Hieronymus "Harry" Bosch is told by his new boss, as he ends a three-year retirement and rejoins the Los Angeles Police Department at the start of The Closers, the 11th installment of Michael Connelly's Edgar-winning series. Having long ago demonstrated his knack for cracking previously unsolved homicides, Bosch is assigned to the newly re-branded Open-Unsolved Unit (aka "cold case" squad), and charged with resolving the 17-year-old abduction and slaying of a mixed-race teenager.

Rebecca Verloren, 16, was discovered missing from her Chatsworth home on a July morning in 1988. Her corpse and the gun that ended her life were later found on a hill behind the house. An autopsy revealed that she'd recently undergone an abortion, and a piece of skin tissue--presumably the killer's--was found trapped inside the murder weapon. Only now, though, has DNA science matched that tissue to Roland Mackey, a dyslexic 35-year-old tow-truck operator with no obvious connection to the deceased. It's up to Bosch, once more partnered with Kizmin Rider, to determine whether Mackey offed Becky Verloren, or was at least an accessory to that tragedy. But the more Bosch and Rider dig into this dusty crime, trying in part to determine whether racial animosity might have been involved, the more pain and resistance they encounter. Becky's white mother maintains the teen's old bedroom as a shrine, while her shattered father, an African-American chef, has vanished into LA's homeless community. Of the two original investigators on the case, one has since committed suicide, and Bosch suspects that the other--now a police commander--is helping to keep the lid tight on some old departmental secrets, perhaps linked to our hero's nemesis, Deputy Chief Irvin S. Irving.

Understandably rusty after three years sans shield, Bosch makes his share of personal and professional mistakes here--including one that supplies The Closers with a lethal, plot-turning climax. But the greater problem is that Connelly exhausts so much time and effort following his protagonist through the tedium of modern police procedures, that he neglects what readers have liked more about this series in the past: its persistently deft exploration of Bosch's lonely, haunted soul (which remains mostly out of sight in this tale), and the author's frequent flights of lyrical prose (also not much in evidence). Would-be novelists wanting an example of a solidly constructed cop tale need look no further than The Closers. But readers hoping to learn why Connelly is so well-respected in this genre should turn, instead, to previous Bosch titles such as The Concrete Blonde, Angel's Flight, or City of Bones. --J. Kingston Pierce

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