Color, The Film Reader (In Focus: Routledge Film Readers)

Published by Routledge, 2006
ISBN 10: 0415324424 / ISBN 13: 9780415324427
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Item is intact, but may show shelf wear. Pages may include notes and highlighting. May or may not include supplemental or companion material. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Bookseller Inventory #

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Synopsis:

This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

  • the development of colour technology
  • how visual stule was affected by the shift from black and white to colour
  • colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima
  • colour in the films of Godard, Hitchcock, Almodovar and many more.

Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.

About the Author: Angela Dalle Vacce is Professor of Film Studies at Georgia Institute of Technology. Her previous publications include The Visual Turn (edited, 2002), Cinema and Painting (1996), and The Body in the Mirror (1992).

Brian Price is Assistant Professor of Film Studies at Oklahoma State University. He is also co-editor of Framework.

"About this title" may belong to another edition of this title.

Bibliographic Details

Title: Color, The Film Reader (In Focus: Routledge ...
Publisher: Routledge
Publication Date: 2006
Binding: Paperback
Book Condition: Acceptable

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Book Description Taylor Francis Ltd, United Kingdom, 2006. Paperback. Book Condition: New. Language: English . Brand New Book. This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including: * the development of colour technology * how visual stule was affected by the shift from black and white to colour * colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima * colour in the films of Godard, Hitchcock, Almodovar and many more. Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course. Bookseller Inventory # AAZ9780415324427

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Book Description Taylor Francis Ltd, United Kingdom, 2006. Paperback. Book Condition: New. Language: English . Brand New Book. This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including: * the development of colour technology * how visual stule was affected by the shift from black and white to colour * colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima * colour in the films of Godard, Hitchcock, Almodovar and many more. Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course. Bookseller Inventory # AAZ9780415324427

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DALLE VACCHE, ANGELA; PRICE, BRIAN.
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Book Description 2006. Paperback. Book Condition: New. 1st. Paperback. This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses k.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 214 pages. 0.395. Bookseller Inventory # 9780415324427

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