0262061600 This is a hardcover book with dust jacket. !!!Dj has minor wear otherwise perfect!!!. Bookseller Inventory #
Synopsis: Surrealism has long been seen as its founder, André Breton,wanted it to be seen: as a movement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death.
To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the crucial categories of surrealism - the marvelous, convulsive beauty, objective chance - in terms of the Freudian uncanny,or the return of familar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism butal so between surrealism and fascism.
At this point Compulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he considers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today ina world become surrealistic.
Compulsive Beauty not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, it also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.
Hal Foster is Associate Professor of Art History and Comparative Literature at Cornell University. He is an editor of the journal OCTOBER.
About the Author: Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University. He is the author of Compulsive Beauty (1993), The Return of the Real: Art and Theory at the End of the Century (1996), and Prosthetic Gods (2004), all published by the MIT Press, and other books.
Title: Compulsive Beauty (October Books)
Publisher: The MIT Press
Book Condition: New
Book Description U.S.A.: The MIT Press, 1993. Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine copy in hardcover with fine dust jacket. Seller Inventory # 129173
Book Description The MIT Press. Hardcover. Condition: Very Good. 0262061600 Contains some light underlining in pencil. In nice condition, the binding is tight. Some light wear from previous use. Seller Inventory # SKU1008138
Book Description MIT, Cambridge, 1993. Cloth. Condition: Fine in Fine DJ. An October Book. 4to, 313 pp., b/w illus. Seller Inventory # 6306
Book Description The MIT Press, U.S.A., 1993. Hard Cover. Condition: Very Good. Dust Jacket Condition: Good. 313 pages. Size: Tall 8vo. Seller Inventory # 11060
Book Description The MIT Press, U.S.A., 1993. Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Near mint, unmarked text, unclipped jacket, slight shelf wear to dust jacket extremities, ships airmail from Berlin Bookshop bx13. Seller Inventory # 8496c1
Book Description MIT PRESS, 1993. Hardcover. Condition: Good. (October Series). Seller Inventory # 1789903
Book Description October Books for MIT Press, Cambridge MA 1993, 1993. 22.5 x 18.0cms, 314pp, b/w illusts, very good paperback & cover Foster sees surrealism as 'an art given over to the uncanny, to the compulsion to repeat and the drive towards death'. The chapters are: beyond the pleasure principle?; compulsive beauty; compulsive identity; fatal attraction; exquisite corpses; outmoded spaces; auratic traces; beyond the surrealism principle?. Seller Inventory # 140060
Book Description The MIT Press. Condition: Acceptable. Used - Acceptable. Damage to plastic sleeve. Contains light staining. Ex-library with wear and barcode page may have been removed. Seller Inventory # Z1-T-025-00636
Book Description MIT Press First Published, 1993. 24cm x 19cm, xxi, 313pp,Illustrated, Hardback with Dust Jacket both in Very Good/Fine condition. Seller Inventory # 15651
Book Description The MIT Press, 1993. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 0262061600-2-4