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Conversations with Wilder

Crowe, Cameron

ISBN 10: 0375406603 / ISBN 13: 9780375406607
Published by Knopf, New York, 1999
Condition: Fine Hardcover
From WAVERLEY BOOKS ABAA (Santa Monica, CA, U.S.A.)

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Second printing. INSCRIBED by director Cameron Crowe across title page. Fine in fine dust jacket. ; 10.20 X 8 X 1.20 inches; 373 pages. Bookseller Inventory # 3113396

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Bibliographic Details

Title: Conversations with Wilder

Publisher: Knopf, New York

Publication Date: 1999

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Fine

Edition: Reprint; Second Printing.

About this title

Synopsis:

In Conversations with Wilder, Hollywood's legendary and famously elusive director Billy Wilder agrees for the first time to talk extensively about his life and work.

Here, in an extraordinary book with more than 650 black-and-white photographs -- including film posters, stills, grabs, and never-before-seen pictures from Wilder's own collection -- the ninety-three-year-old icon talks to Cameron Crowe, one of today's best-known writer-directors, about thirty years at the very heart of Hollywood, and about screenwriting and camera work, set design and stars, his peers and their movies, the studio system and films today. In his distinct voice we hear Wilder's inside view on his collaborations with such stars as Barbara Stanwyck, Gary Cooper, Marilyn Monroe, Jack Lemmon, Tony Curtis, William Holden, Audrey Hepburn, and Greta Garbo (he was a writer at MGM during the making of Ninotchka. Here are Wilder's sharp and funny behind-the-scenes stories about the making of A Foreign Affair, Double Indemnity, Sunset Boulevard, Love in the Afternoon, Some Like It Hot, The Apartment, and Ace in the Hole, among many others. Wilder is ever mysterious, but Crowe gets him to speak candidly on Stanwyck: "She knew the script, everybody's lines, never a fault, never a mistake"; on Cary Grant: "I had Cary Grant in mind for four of my pictures . . . slipped through my net every time"; on the "Lubitsch Touch": "It was the elegant use of the super-joke." Wilder also remembers his early years in Vienna, working as a journalist in Berlin, rooming with Peter Lorre at the Chateau Marmont -- always with the same dry wit, tough-minded romanticism, and elegance that are the hallmarks of Wilder's films. This book is a classic of Hollywood history and lore.

Review:

Conversations with Wilder, an invaluable, photo-intensive volume, is a kind of remake of Truffaut's must-read interview book Hitchcock, with Cameron Crowe in the inquisitive Truffaut role and wily 93-year-old Billy Wilder as the crafty master director. Drawing on his experience interviewing the monsters of rock and his deep, shot-by-shot knowledge of Wilder's work, Crowe gently and cunningly coaxes answers from Wilder--arguably today's most influential living director--on what made his hits tick and his flops suck, along with glimpses of what might have been. Did you know Mae West and Mary Pickford spurned Sunset Boulevard and Wilder spurned Marilyn Monroe for Irma la Douce? That The Apartment was inspired by Brief Encounter and the look of Double Indemnity was based on M? The gossipy insights are great too. Bogart spat when he talked, so Wilder couldn't back-light him in Sabrina, and Audrey Hepburn's wardrobe woman had to towel her off after each take--discreetly! Wilder loathed Raymond Chandler (partly because Chandler disdained James M. Cain when adapting Double Indemnity) but gives him his due as a screenwriter: Chandler could do dialogue and descriptions, but he couldn't construct a scene. "He was a mess, but he could write a beautiful sentence," says Wilder. Agatha Christie was the opposite: "She had structure, but she lacked poetry."

Some critics scoff at Crowe (who cried while directing emotional scenes in Jerry Maguire) for taking on the cynic Wilder. But they're brothers under the skin. Both leaped from popular music journalism to directing. Both incorporate actual events in their films. Wilder keenly regrets not filming this scene in The Spirit of St. Louis, which he claims really happened: the night before his historic flight, Lindbergh's handlers talked a pretty waitress into having sex with him. They claimed he was a virgin, and likely to die on his voyage. In the hero's parade upon his return, she waves at him through the ticker-tape, but he doesn't see her. "Would have been a good scene," mourns Wilder. Without this book, we'd never have known about it. --Tim Appelo

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