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Courbet

Le Men, Segolene

ISBN 10: 0789209772 / ISBN 13: 9780789209771
Published by Abbeville, 2008
New Condition: New Hardcover
From Penobscot Books (Searsport, ME, U.S.A.)

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NO FINER COPY EXISTS. // NEW BOOK and DJ and SLIPCASE: all in GIFT-quality MINT condition. // Black clothbound hardcover, 400 pages, elegantly illustrated. // All in the elegance of Abbeville Press. None finer. Bookseller Inventory # 105147

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Bibliographic Details

Title: Courbet

Publisher: Abbeville

Publication Date: 2008

Binding: Clothbound Hardcover

Book Condition:New

Dust Jacket Condition: New

Edition: Stated First Edition

About this title

Synopsis:

When Gustave Courbet (1819-1877) began his career in the late 1840s, French painting was dominated by two competing styles: neoclassicism, exemplified by Ingres,and romanticism, exemplified by Delacroix. Courbet, a dynamic and boundlessly self-confident man, proud of his rural origins and guided by his strong Republican beliefs,quickly established a third way. Rejecting the historical and literary subjects of the prevailing styles as too remote from actual experience, Courbet instead depicted scenes of everyday life, particularly among the peasants and the working class, with a naturalism then considered shocking. His paint handling was correspondingly direct: disdaining equally the idealized contours and cool tones of the neoclassicists and the expressive line of the romantics, he laid on his colors almost roughly, often with a palette knife instead of a brush. While CourbetGÇÖs brand of realism bears a family resemblance to those of his contemporaries Daumier and Millet, its scope is much broader: his masterworks range from the Burial at Ornans (1850), a heroically scaled depiction of a villager's funeral, to the very different Origin of the World (1866), a detailed close-up of the female anatomy, and he also painted many straight landscapes, portraits, and stilllifes.

This lucidly written monograph from noted art historian Segolene Le Men provides a new understanding of how Courbet's life and milieu shaped his vast oeuvre. Le Men organizes her text both chronologically and thematically: while the five chapters correspond to the successive phases of Courbet's career, each comprises several subsections that discuss individual aspects of his work. This hybrid approach allows Le Men to present an expansive and multifaceted view of Courbet's realism, emphasizing its evolving relations with the various ideas and artistic currents of its time. With some three hundred stunning color illustrations, including all of Courbet's most important paintings and many fine examples of his draftsmanship, this is the definitive study of a painter whose spirited pursuit of an independent aesthetic path has led many critics to call him "the first modern artist."

About the Author:

Segolene Le Men, a graduate of the Ecole Normale Superieure, has been director of literary studies at that institution, as well as a researcher at CNRS. Presently she is professor of art history at the University of Paris X-Nanterre, an instructor at the Ecole du Louvre, and a member of the Institut Universitaire de France. Professor Le Men is the author of numerous publications on nineteenth-century French art.

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