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Creative Entanglements: Gadda and the Baroque (Toronto Italian Studies)

Dombroski, Robert S

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ISBN 10: 0802044905 / ISBN 13: 9780802044907
Published by University of Toronto Press, Scholarly Publishing Division, 1999
Used Condition: Good
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Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP85966871

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Bibliographic Details

Title: Creative Entanglements: Gadda and the ...

Publisher: University of Toronto Press, Scholarly Publishing Division

Publication Date: 1999

Book Condition:Good

Edition: 0th Edition.

About this title


In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge.

About the Author:

The late Robert Dombroski was Distinguished Professor and Director of Italian Graduate Studies, The City University of New York.

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