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A Cure For Gravity

Jackson, Joe

286 ratings by Goodreads
ISBN 10: 1891620509 / ISBN 13: 9781891620508
Published by Public Affairs, New York, 1999
Hardcover
From Ira Joel Haber - Cinemage Books (Brooklyn, NY, U.S.A.)

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About this Item

INSCRIBED AND SIGNED BY JOE JACKSON. Memoir by the fine rock jazz musician and singer. No photos. Fine/fine. Bookseller Inventory # 007283

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Bibliographic Details

Title: A Cure For Gravity

Publisher: Public Affairs, New York

Publication Date: 1999

Binding: Boards & Cloth with Dustjacket

Edition: 1st Printing.

About this title

Synopsis:

The successful rock musician and songwriter chronicles his life in music, from his miserable childhood in a rough naval town, through his days as a student at the Royal Academy of Music, to the succession of bands leading up to his solo career

Review:

Something more than a journeyman and less than a superstar, Joe Jackson has a reputation for being a reclusive and prickly character. But he refuses the low road with A Cure for Gravity, a resolutely non-lurid autobiography of a man who considers music to be a noble calling. It matters not that the author was once lumped in with England's insurgent first-generation punks and new-wavers; here Jackson insistently focuses on his development as a composer, player, and performer, approximately in that order. Born to modest means in a setting where a sickly, creative youngster such as Jackson was regarded with suspicion, if not contempt, the young Brit was trained in the classics and developed his keyboard skills, playing everything from cabaret to progressive rock before finally setting off on his own as a sharp-tongued, ska-influenced Angry Young Man. A more sophisticated musician than his rag-tag running mates (he's recently released an ambitious fusion of pop, jazz, and classical elements dubbed Symphony No. 1), Jackson revels in the intricacies of his craft--as much or more than he does in telling his own up-from-the-gutter tale. Old new-wavers who remember the author from his 1978 Look Sharp! debut and devotees of his more stylish early '80s recordings may be caught off guard by the short shrift Jackson gives his actual recording career; indeed, he shrugs off a couple decades in the final pages of the book. But the articulate, idiosyncratic author is clearly more interested in addressing what makes a musician than what happens once a musician has it made. --Steven Stolder

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