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DON WE NOW OUR GAY APPAREL' : Gay Men's Dress on the Twentieth Century

Cole, Shaun

16 ratings by Goodreads
ISBN 10: 1859734200 / ISBN 13: 9781859734209
Published by Berg, Oxford, 2003
Used Condition: Very Good+ Soft cover
From Grandmahawk's Eyrie (Mansfield Center, CT, U.S.A.)

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About this Item

PB, pictorial card covers, 212pp, b/w plates.A lightly-used copy with some highlighting to h/title verso, else VG++. Size: 8vo - over 7¾" - 9¾" tall. Bookseller Inventory # jct000671

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Bibliographic Details

Title: DON WE NOW OUR GAY APPAREL' : Gay Men's ...

Publisher: Berg, Oxford

Publication Date: 2003

Binding: Soft Cover

Illustrator: By Photographs

Book Condition:Very Good+

Edition: First Edition.

About this title

Synopsis:

"Gay style actually sets trends. It's what straight people take fashion from."--Tony Woodcock

From the New Edwardians and muscle boys to Radical Drag and Genderfuck, gay men's dress has had a profound impact on fashion. However, it is easy to forget that, with few exceptions, gay men earlier in the century took great pains to conceal their sexual identity. Men such as Quentin Crisp, while highly influential, were far from the norm. Most gay men resorted to a number of subtle dress codes to identify themselves to other gay men -- from Oscar Wilde's famous green carnation, which was still being worn in the 1930s, through to suede shoes.

Beginning with a look at the subcultural world of gay men in the early part of this century -- particularly in New York and London -- this fascinating book analyzes the trends in dress adopted by gay men as well as the challenge gay style has made to mainstream men's fashion. The importance of dress choice to the formation of sexual identity is highlighted, as is gay influence on punk and the fashion industry as a whole. The rise of new dress choices in the wake of gay liberation is analyzed with particular emphasis on the masculinization of gay dress. The importance of the body to gay culture is addressed, from the physique magazines of the 1950s, through to tattooing and body piercing, and their origins in the S&M scene.

Anyone interested in gay culture or the history of dress will find this book to be essential reading.

About the Author:

Shaun Cole is Curator of Design, at The Victoria and Albert Museum, London

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