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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: ContentsForeword by Mara Herrera-SobekIntroduction: Peligro! Subversive Subjects: Chicana and Chicano Cultural Studies in the 21st Century." Arturo J. Aldama and Naomi QuionezPART I: DANGEROUS BODIESBorders, Violence and the Struggles for Chicana/o Subjectivity Arturo J. AldamaDresses and Body Decoration in Contemporary Chicana Art Laura PrezNew Iconographies: Film Culture in Chicano Cultural Production Ramn GarciaNew Millennia Chicano/a Bodies in Edward J. Olmos' American Me Frederick Luis AldamaBiopower, Reproduction, and the Migrant Woman's Body Jonathan Xavier IndaAnzalda's Frontera: Inscribing Gynetics Norma AlarcnPART II: DISMANTLING COLONIAL/ PATRIARCHAL LEGACIESHijas de La Malinche: Re-Writing Postcolonial Discourse Through theLiterature of First Wave Chicana Writers Naomi QuionezHow the Border Lies: Some Historical Reflections Patricia Penn HildenHow I am Received": Nationalism, Race and Gender in Who Would Have Thought It? Amelia Mara de la Luz MontesEngendering Re/Solutions: The (Feminist) Legacy of Estela Portillo Trambley (1926-1998) Cordelia CandelariaUnir Los Lazos: Toward a Comparative Study of Chicana and MexicanaLiterature Anna SandovalBorders, Feminism and Spirituality: Movements in Chicana Artistic Revisioning Sarah RamirezPART III: MAPPING SPACE AND RECLAIMING PLACEBorder/Transformative Pedagogies at the End of the Millennium: Chicana/o Cultural Studies and Education Alejandra ElenesOn the Bad Edge of La Frontera Jos David Saldvar'Here is Something You Can't Understand': Chicano Rap and the Critique of Globalization Pancho McFarlandA Sifting of Centuries: Afro-Chicana/o Interaction and Popular Musical Culture Gaye T. M JohnsonChicana/o Undocumented Immigrant Narratives as Acts of Political and Intellectual Responsibility Alberto LedesmaTeki Lenguas del Yollotzin (Cut Tongues From the Heart): Colonial Impositions, Hegemonic Borders and Shifting Spaces Delberto Dario RuizThe Alamo, Slavery and the Politics of Memory Rolando J. RomeroColor Coding: Reflections at the Millennium Vicki Ruiz. Bookseller Inventory #

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The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women’s and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies.

Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.

About the Author:

Arturo J. Aldama is Associate Professor in the Department of Chicana/o Studies at Arizona State University. He is the author of Disrupting Savagism:Intersecting Chicana/o, Mexicana/o and Native American Struggles for Representation and several articles on Chicana/o and Native American cultural, literary and filmic studies. He is also Director elect for the Chicana and Chicano literary studies executive committee of the Modern Language Association.

Naomi Quiñonez is Assistant Professor in the Department of Chicana/o Studies at Cal State Fullerton. She is a widely anthologized poet and the author of Hummingbird Dreams/ Sueño de Colibri; The Smoking Mirror (1998); the editor of Invocation L.A.: Urban Multicultural Poetry. Her scholarly work appears in several anthologies and special issues of top refereed journals.

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Book Description Indiana University Press, United States, 2002. Paperback. Book Condition: New. Language: English . Brand New Book. The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of local, hemispheric, and globalized power relations of the border imaginary. Second, it recovers the Mexican women s and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma Alarcon, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chavez Candelaria, Alejandra Elenes, Ramon Garcia, Maria Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia Maria de la Luz Montes, Laura Elisa Perez, Naomi Quinonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, Jose David Saldivar, Anna Sandoval, and Jonathan Xavier Inda. Bookseller Inventory # AAJ9780253214928

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