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Bidart, Frank

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ISBN 10: 0374138249 / ISBN 13: 9780374138240
Published by Farrar Straus & Giroux, Gordonsville, Virginia, U.S.A., 1997
Condition: Fine Hardcover
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About this Item

Stated first edition. Classical persons and references are prominently featured in this collection from the award-winning poet. Unread, as new in like DJ. 61 pp. Bookseller Inventory # 10550

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Bibliographic Details

Title: Desire

Publisher: Farrar Straus & Giroux, Gordonsville, Virginia, U.S.A.

Publication Date: 1997

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Fine

Edition: 1st Edition.

About this title


Poems contemplate the art of writing, Eros, the desolations of history, and the illusion of will


Desire, Frank Bidart's first book since In the Western Night: Collected Poems 1965-1990, is in two parts. Part I is a collection of short poems; Part II consists of a single poem, "The Second Hour of the Night," a sequel to "The First Hour of the Night" that ends In the Western Night. Bidart, a poet who makes a large arc between the universal and the idiosyncratic, has learned that the transformations themselves, rendered without comment, have the capacity to chill your blood.

The source for "The Second Hour of the Night" is Ovid's story of Myrrha and her father Cinyras, one of the least-known but most suggestive tales--a reversal of the Oedipus myth. Bidart's tormented dramatization of Ovid's version reads like an investigation into the deepest layers of the story. While both poets turn the doomed heroine into a plant, Bidart looks into causes and motivation in a way that Ovid does not.

The short poems in the first section of Desire are also very strong. The poet, torn apart by the death of his lover, gives you a sense of the distance he has traveled over the past 15 years when he retranslates the two-line poem "Catullus: Excrucior," which he brilliantly adapted in The Sacrifice.

Version in The Sacrifice:

I hate and love. Ignorant fish, who even
wants the fly while writhing.
Version in Desire:
I hate and--love. The sleepless body hammering a nail nails
itself, hanging crucified.
Bidart's acute perception of complicity allows him to do away with the idea of the victim. This is a formidable achievement, and his work is worthy of the scrutiny it demands.

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