Hardcover. For more than thirty-five years, James Welling has explored the material and conceptual possibilities of photography. Diary/Landscape-the first mature body of work by this important contemporary artist-set the framework for his subsequent investigations of abstraction and his fascination with nineteenth- and twentieth-century New England. In July 1977, Welling began photographing a two-volume travel diary kept by his great-grandmother Elizabeth C. Dixon, as well as landscapes in southern Connecticut. In one closely cropped image, lines of tight cursive share the page with a single ivy leaf preserved in the diary. In another snowy image, a stand of leafless trees occludes the gleaming Long Island sound. In subject and form, Welling emulated the great American modernists Alfred Stieglitz, Paul Strand, and Walker Evans-a bold move for an artist associated with radical postmodernism. At the same time, Welling's close-ups of handwriting push to the fore the postmodernist themes of copying and reproduction. A beautiful and moving meditation on family, history, memory, and place, Diary/Landscape reintroduced history and private emotion as subjects in high art, while also helping to usher in the centrality of photography and theoretical questions about originality that mark the epochal Pictures Generation. The book is published to accompany the first-ever complete exhibition of this series of pivotal photographs, now owned by the Art Institute of Chicago. A beautiful and moving meditation on family, history, memory, and place, this title reintroduces history and private emotion as subjects in high art, while also helping to usher in the centrality of photography and theoretical questions about originality that mark the epochal Pictures Generation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780226204123
Synopsis: For more than thirty-five years, James Welling has explored the material and conceptual possibilities of photography. Diary/Landscape―the first mature body of work by this important contemporary artist―set the framework for his subsequent investigations of abstraction and his fascination with nineteenth- and twentieth-century New England.
In July 1977, Welling began photographing a two-volume travel diary kept by his great-grandmother Elizabeth C. Dixon, as well as landscapes in southern Connecticut. In one closely cropped image, lines of tight cursive share the page with a single ivy leaf preserved in the diary. In another snowy image, a stand of leafless trees occludes the gleaming Long Island sound. In subject and form, Welling emulated the great American modernists Alfred Stieglitz, Paul Strand, and Walker Evans―a bold move for an artist associated with radical postmodernism. At the same time, Welling’s close-ups of handwriting push to the fore the postmodernist themes of copying and reproduction.
A beautiful and moving meditation on family, history, memory, and place, Diary/Landscape reintroduced history and private emotion as subjects in high art, while also helping to usher in the centrality of photography and theoretical questions about originality that mark the epochal Pictures Generation. The book is published to accompany the first-ever complete exhibition of this series of pivotal photographs, now owned by the Art Institute of Chicago.
About the Author: James Welling was born in Hartford, Connecticut, in 1951 and studied art at the Wadsworth Atheneum, the West Hartford Art League, Carnegie Mellon University, and the California Institute of the Arts, where he received his MFA in 1974. His work has been the subject of survey exhibitions at the Museum of Contemporary Art, Los Angeles; the Fotomuseum Winterthur; the Hammer Museum, Los Angeles; and the Cincinnati Art Museum. His books include James Welling / The Mind on Fire, James Welling: Monograph, Glass House, and Light Sources. In 2014, he received the International Center for Photography’s 2014 Infinity Award in Art and he received the 1999 DG BANK-Förderpreis Fotografie from the Sprengel Museum in Hannover. He is professor in the Department of Art at University of California, Los Angeles.
Title: Diary/Landscape (Hardcover)
Publisher: The University of Chicago Press, Chicago, IL
Publication Date: 2014
Binding: Hardcover
Condition: new
Book Description Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. One or two tiny impressions to the plain grey dust-jacket. The book itself is unmarked, unused, as new. Seller Inventory # 036318
Book Description Condition: New. Seller Inventory # 21439560-n
Book Description Condition: New. Brand New. Seller Inventory # 022620412X
Book Description Condition: As New. Unread book in perfect condition. Seller Inventory # 21439560
Book Description Hardcover. Condition: New. Seller Inventory # 6666-WLY-9780226204123
Book Description hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M022620412XZ3
Book Description Condition: New. Seller Inventory # 21439560-n
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WG-9780226204123
Book Description hardback. Condition: New. Language: ENG. Seller Inventory # 9780226204123
Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. A beautiful and moving meditation on family, history, memory, and place, this title reintroduces history and private emotion as subjects in high art, while also helping to usher in the centrality of photography and theoretical questions about originality that mark the epochal Pictures Generation. Seller Inventory # B9780226204123