Title: Dirt Music: A Novel
Publisher: Scribner, Old Tappan, New Jersey, U.S.A.
Publication Date: 2002
Binding: Hard Cover
Book Condition: Fine
Dust Jacket Condition: Fine
Edition: First American Edition.
Fine/Fine unread copy protected by archival Brodart cover. Size: 8vo - over 7¾" - 9¾" tall. Bookseller Inventory # 000995
Synopsis: Luther Fox, a loner, haunted by his past, makes his living as an illegal fisherman -- a shamateur. Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain.
One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is -- and out on White Point it is very dangerous.
Set in the dramatic landscape of Western Australia, "Dirt Music" is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature.
Ambitious, perfectly calibrated, "Dirt Music" resonates with suspense and supercharged emotion -- and it confirms Tim Winton's status as the preeminent Australian novelist of his generation.
Review: Arguably one of the finest of all Australian novelists, Tim Winton shows that he remains in top form with Dirt Music, a wistful, charged, ardent novel of female loss and amatory redemption. The setting is Winton's favorite: the thorn-bushed, sheep-farmed, sun-punished boondocks of Western Australia. The cast is limited but spirited: the two chief protagonists are Georgie Jutland, a fortysomething adoptive mother with a vodka problem, and Luther Fox, a brooding, feral, bushwhacking poacher.
The plot is something else altogether: an elegantly wearied, cleverly finessed mutual odyssey that opts to follow the sometimes intertwining, sometimes diverging lives of poor Georgie and Luther as they try to deal with the odd alliance they comprise, as well as the complex and fractured lives they want to leave behind. The way Georgie deals with her unwitting inheritance of two dissatisfied adopted kids is particularly touching, poignant, and well written.
Best of all, though, is the prose. Somehow it manages to be simultaneously juicy and dry, like a desert cactus. This is especially true when Winton touches on the scented harshness of the Down Under outback: "the music is jagged and pushy and he for one just doesn't want to bloody hear it, but the outbursts of strings and piano are as austere and unconsoling as the pindan plain out there with its spindly acacia and red soil." This is a wise and accomplished novel. --Sean Thomas, Amazon.co.uk
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