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Synopsis: A common theme of western American art--from the depictions of Indians by early explorers to the monumental landscapes of Albert Bierstadt to the vibrant images of Georgia O'Keeffe--is the transformation of the land through European-American exploration and resettlement. In this handsome book, leading authorities look at western American art of the past three centuries, reevaluating it from the perspectives of history, art history, and American studies.
Jules David Prown begins the book by discussing the need for interdisciplinary approaches to broaden the study of western American art. Nancy K. Anderson then calls for a reconsideration of western art as art rather than documentation and for the adoption of new methods to probe its aesthetic, historical, political, and cultural complexities. William Cronon explores what an environmental historian might learn from American landscape art, concluding that each image must be read as a multilayered view intertwining past, present, and future within a larger context of progress and expansionism. Examining representations of American Indians, Brian W. Dippie finds that early works pictured Indians caught up in a process of dramatic change while later artists showed them frozen outside of time; when the frontier ended, western art made nostalgia its defining characteristic. Martha A. Sandweiss argues that the ways in which views of the American west and its peoples reached nineteenth-century audiences--through large edition prints, book illustrations, or theatrical exhibitions--significantly affected both the images and the meanings attached to them. Susan Prendergast Schoelwer challenges popular perceptions of the frontier as a womanless domain, discovering abundant pictures of Native American women in the art of the western fur trade. Howard R. Lamar concludes by discussing the changing perceptions of western artists and inhabitants of their region's landscape in the twentieth century.
Publication of this book will coincide with an exhibition organized by the Yale University Art Gallery and the Gilcrease Museum in Tulsa, Oklahoma, opening at the Buffalo Bill Historical Center in Cody, Wyoming.
From Library Journal:
Published in conjunction with an exhibition organized by the Yale University Art Gallery and the Gilcrease Museum in Tulsa, this book takes an interdisciplinary look at the art of the American West. In seven essays illustrated with examples from the exhibit, contributors from the fields of history, art history, and American studies examine significant Western artists of the last three centuries. Three themes emerge: discovery, erasure, and invention. The book achieves the goal declared in its subtitle by revealing a transforming vision of the West created by Euro-American artists. Recommended for most art collections, especially those with an emphasis on the American West.
- Terri P. Summey, Emporia State Univ. Lib., Kan.
Copyright 1992 Reed Business Information, Inc.
Title: Discovered Lands, Invented Pasts: ...
Publisher: Yale University Press
Publication Date: 1992
Illustrator: Color Plates
Book Condition: Fine
Edition: 1st Edition
Book Description Yale University Press, 1992. Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Seller Inventory # 5373402
Book Description Condition: Good. This item is in good condition. All pages and covers are readable. There are no stains or tears. Dust jacket is present if applicable. May contain small amounts of writing and/or highlighting. Spine and cover may show signs of wear. May not contain supplementary items such as CD's or DVD's. We ship within 1 business day. Seller Inventory # 34FG44000TKT_ns
Book Description Yale University Press. Hardcover. Condition: Fair. Dust Cover Missing. Seller Inventory # G0300057229I5N01
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Book Description Yale University Press, 1994. Condition: Good. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Seller Inventory # GRP88555733
Book Description Yale University Press, 1992. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 0300057229-2-4
Book Description Yale University Press, 1992. Hardcover. Condition: Used: Good. Seller Inventory # SONG0300057229
Book Description YALE UNIVERSITY PRESS 1. Hardcover. Condition: Good. Dust Jacket Condition: Good. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: USED, Good. Dust Jacket: Good. Bookseller Inventory # 01978030005722501. Seller Inventory # 01978030005722501
Book Description Yale University Press, 1992. Hardcover. Condition: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Seller Inventory # S_196997332