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Synopsis: One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, Plexiglas, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. Donald Judd compromises the most thorough and up-to-date publication on Judd in print today.
About the Author: Donald Judd was born in 1928. Convinced that Abstract Expressionism had deteriorated into fakery, Judd began around 1960 to search for an art free of falsehood. In search of a greater simplicity and clarity, he evolved a formal vocabulary of identical rectangular units constructed of industrial materials. He died in 1994.
Book Condition: New
Book Description Tate Publishing, 2004. Paperback. Condition: Good. Good condition is defined as: a copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Most items will be dispatched the same or the next working day. Seller Inventory # mon0008486126
Book Description DAP / Tate. PAPERBACK. Condition: Good. 1854373951 Book is in good condition with typical reading wear to spine and cover. Ex-library/school copy with typical internal and external markings. Book has been laminated by previous owner. Seller Inventory # K0021563
Book Description Condition: Fine. Book is in very good condition, inside and out. Seller Inventory # 100124
Book Description Tate Publishing 2004. First edition., London, 2004. Condition: Fine. Wrappers, with French flaps. 288 pages. Illustrated profusely throughout in colour. 1.7kg. English. Fine. The catalogue for an important retrospective exhibition on Donald Judd at the Tate Modern, London. Included are several essays on Judd including photographs of his homes at 101 Spring Street, New York and Marfa, Texas. Also present is a catalogue of 41 works, a chronology, bibliography and exhibition history. Beaux Books specialises in vintage, collectable and luxury books on art, design, fashion and style. All our books are in stock unless otherwise stated. Please contact us if you require any further information or need help in finding a book. Buy with confidence from an experienced bookseller. Seller Inventory # 761
Book Description DAP / Tate, 2004. Paperback. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P021854373951
Book Description DAP / Tate, 2004. Paperback. Condition: Like New. Almost new condition. Seller Inventory # P011854373951
Book Description DAP / Tate, 2004. Paperback. Condition: New. Never used!. Seller Inventory # P111854373951
Book Description Tate, London, 2004. Soft Cover. Condition: Very Good. No Jacket. First Edition. Bound in colour printed limp wraps, this 2004 softcover First Edition is VG. Size is 30cm x 24cm. 288pp with Foreword, Essays by Fuchs, Shiff, Batchelor, Raskin, Serota, Judd, Stockebrand and Kopie, With Catalogue, Chronology, Bibliography, Exhibitions, List of Works and Index. Published to accompany the Tate Exibition of Judd's work, February to April, 2004.( A copy of the Guide to the Exhibition is included with the book) Numerous color and B/W plates. Condition all VG Size: 4to - over 9¾" - 12" tall. Seller Inventory # 0016228
Book Description DAP / Tate, 2004. Paperback. Condition: Used: Good. Moderate edgewear & bumping to corners; one 1" tear to front cover; a handful of dings/scratches to back cover; slightly cocked spine; unmarked text. Signature may be required for delivery. Ships with tracking the same or next business day from New Haven, CT. We fully guarantee to ship the exact same item as listed and work hard to maintiain our excellent customer service. Seller Inventory # NJ-4NJQ-O2PS
Book Description DAP / Tate, 2004. Paperback. Condition: Good. illustrated edition. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Seller Inventory # 1854373951