Dubai High: A Culture Trip

Schindhelm, Michael; Belkin, Aurore

Published by Arabian Publishing Ltd., 2011
ISBN 10: 0955889472 / ISBN 13: 9780955889479
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Synopsis: In early 2007, writer and theatre director Michael Schindhelm was appointed by the Dubai authorities as consultant on a projected opera house, and in early 2008 found himself with a broader remit as director of the newly founded Dubai Culture and Arts Authority. His diary of 2008 is a partly fictionalized account of his first twelve months of both working and living in Dubai. It is a meditation, from a cultural perspective, on the nature of this extraordinary city and its project to reinvent itself according to new rules of its own devising. From the outset there were profound cultural issues to be faced. Can essentially alien art forms be transplanted effectively? Can they be imposed top-down by the authorities? Can high culture ever be financially self-supporting? In a society run like a business by a tiny, unaccountable elite, in which freedom of speech is limited and 90 percent of the inhabitants are transient, expendable expatriates, can the arts realistically be nurtured as a form of social expression and self-examination? The author's efforts to create projects were undermined by misunderstandings over the nature and purpose of the arts - in his employers' conception, little more than a marketing tool to boost Dubai's brand as a premier global tourist resort. His woes were compounded by the lack of clear distinction between government and private enterprise, and by the very Arabian custom of bringing in privileged outsiders to advise on, and occasionally to compete with, schemes supposedly under his direction. Ultimately, his projects were undone by the global financial crash of late 2008. Despite such travails, the author is able to see the funny side and retains some sympathy for the Dubai project. He remains optimistic, seeing in Dubai and other Gulf States a glimmer of hope for international cultural dialogue, leading to increased understanding between the Arab world and the West.

Review: It would be easy to describe the book as Kafkaesque: the impenetrable layers of administration, the all-but-invisible rulers, the anonymous offices and the vague sense that any moment could be the beginning of the end pervade the book.[...]It is an intriguing episode and it looks destined to remain a parable of our time.' (Edwin Heathcote, Architecture Correspondent of the Financial Times ICON magazine)

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Title: Dubai High: A Culture Trip
Publisher: Arabian Publishing Ltd.
Publication Date: 2011
Binding: Hardcover
Book Condition: Used: Good

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Book Description Arabian Publishing, London, 2011. Hardcover. Book Condition: Good. Dust Jacket Condition: Good. Hardcover in good condition; jacket edges and leading corners are slightly worn; superficial scratches on jacket front and rear; foot of hardcover spine is bumped; grubby mark on BEP; content clean and clear with sound binding. AE. Used. Bookseller Inventory # 454437

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Book Description 2011. Paperback. Book Condition: New. Paperback. In early 2007, writer and theatre director Michael Schindhelm was appointed by the Dubai authorities as consultant on a projected opera house, and in early 2008 found himself .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 237 pages. 0.808. Bookseller Inventory # 9780955889479

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Book Description Medina Publishing Ltd, United Kingdom, 2011. Paperback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In early 2007, writer and theatre director Michael Schindhelm was appointed by the Dubai authorities as consultant on a projected opera house, and in early 2008 found himself with a broader remit as director of the newly founded Dubai Culture and Arts Authority. His diary of 2008 is a partly fictionalized account of his first twelve months of both working and living in Dubai. It is a meditation, from a cultural perspective, on the nature of this extraordinary city and its project to reinvent itself according to new rules of its own devising. From the outset there were profound cultural issues to be faced. Can essentially alien art forms be transplanted effectively? Can they be imposed top-down by the authorities? Can high culture ever be financially self-supporting? In a society run like a business by a tiny, unaccountable elite, in which freedom of speech is limited and 90 percent of the inhabitants are transient, expendable expatriates, can the arts realistically be nurtured as a form of social expression and self-examination? The author s efforts to create projects were undermined by misunderstandings over the nature and purpose of the arts - in his employers conception, little more than a marketing tool to boost Dubai s brand as a premier global tourist resort. His woes were compounded by the lack of clear distinction between government and private enterprise, and by the very Arabian custom of bringing in privileged outsiders to advise on, and occasionally to compete with, schemes supposedly under his direction. Ultimately, his projects were undone by the global financial crash of late 2008. Despite such travails, the author is able to see the funny side and retains some sympathy for the Dubai project. He remains optimistic, seeing in Dubai and other Gulf States a glimmer of hope for international cultural dialogue, leading to increased understanding between the Arab world and the West. Bookseller Inventory # BTE9780955889479

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