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Empire Falls (SIGNED Plus SIGNED MOVIE TIE-INS)

Russo, Richard

93,672 ratings by Goodreads
ISBN 10: 0679432477 / ISBN 13: 9780679432470
Published by Knopf, New York, 2002
Condition: Fine Hardcover
From Daniel Montemarano (Newfield, NJ, U.S.A.)

AbeBooks Seller Since November 23, 2001

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About this Item

1st Edition/1st Printing. SIGNED by author on a bookplate on front end page (signature only). $25.95 price present on DJ flap. Winner of the Pulitzer Prize. Also includes laid-in an original July 2004 biographical article by Bruce Weber on on Russo entitled "Richard Russo, Happily at Home in Wunesburg East". Also includes attached to half-title page is a bookplate SIGNED by FRANK SCHEPISI (director of 2005 HBO film version of novel). Also includes laid-in is a bookplate SIGNED by JEFFREY De MUNN (played 'Horace' in the HBO movie version of novel). Also laid-in is a card SIGNED and inscribed by ESTELLE PARSONS (played 'Bea' in movie). Unique copy for the Russo--Empire Falls fan or collector. Size: 8vo - over 7¾" - 9¾" tall. Bookseller Inventory # 020605

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Bibliographic Details

Title: Empire Falls (SIGNED Plus SIGNED MOVIE ...

Publisher: Knopf, New York

Publication Date: 2002

Binding: Hard Cover

Book Condition:Fine

Dust Jacket Condition: Near Fine+

Signed: Signed by Author

Edition: 1st Edition

About this title

Synopsis:

Richard Russo—from his first novel, Mohawk, to his most recent, Straight Man—has demonstrated a peerless affinity for the human tragicomedy, and with this stunning new novel he extends even further his claims on the small-town, blue-collar heart of the country.

Dexter County, Maine, and specifically the town of Empire Falls, has seen better days, and for decades, in fact, only a succession from bad to worse. One by one, its logging and textile enterprises have gone belly-up, and the once vast holdings of the Whiting clan (presided over by the last scion’s widow) now mostly amount to decrepit real estate. The working classes, meanwhile, continue to eke out whatever meager promise isn’t already boarded up.

Miles Roby gazes over this ruined kingdom from the Empire Grill, an opportunity of his youth that has become the albatross of his daily and future life. Called back from college and set to work by family obligations—his mother ailing, his father a loose cannon—Miles never left home again. Even so, his own obligations are manifold: a pending divorce; a troubled younger brother; and, not least, a peculiar partnership in the failing grill with none other than Mrs. Whiting. All of these, though, are offset by his daughter, Tick, whom he guides gently and proudly through the tribulations of adolescence.

A decent man encircled by history and dreams, by echoing churches and abandoned mills, by the comforts and feuds provided by lifelong friends and neighbors, Miles is also a patient, knowing guide to the rich, hardscrabble nature of Empire Falls: fathers and sons and daughters, living and dead, rich and poor alike. Shot through with the mysteries of generations and the shattering visitations of the nation at large, it is a social novel of panoramic ambition, yet at the same time achingly personal. In the end, Empire Falls reveals our worst and best instincts, both our most appalling nightmares and our simplest hopes, with all the vision, grace and humanity of truly epic storytelling.

Review:

Like most of Richard Russo's earlier novels, Empire Falls is a tale of blue-collar life, which itself increasingly resembles a kind of high-wire act performed without the benefit of any middle-class safety nets. This time, though, the author has widened his scope, producing a comic and compelling ensemble piece. There is, to be sure, a protagonist: fortysomething Miles Roby, proprietor of the local greasy spoon and the recently divorced father of a teenage daughter. But Russo sets in motion a large cast of secondary characters, drawn from every social stratum of his depressed New England mill town. We meet his ex-wife Janine, his father Max (another of Russo's cantankerous layabouts), and a host of Empire Grill regulars. We're also introduced to Francine Whiting, a manipulative widow who owns half the town--and who takes a perverse pleasure in pointing out Miles's psychological defects.

Miles does indeed have a tendency to take it on the chin. (At one point he alludes to his own "natural propensity for shit-eating.") And his role as Mr. Nice Guy thrusts him into all sorts of clashes with his not-so-nice contemporaries, even as the reader patiently waits for him to blow his top. It would be impossible to summarize Russo's multiple plot lines here. Suffice it to say that he touches on love and marriage, lust and loss and small-town economics, with more than a soupçon of class resentment stirred into the broth. This is, in a sense, an epic of small and large frustrations: "After all, what was the whole wide world but a place for people to yearn for their heart's impossible desires, for those desires to become entrenched in defiance of logic, plausibility, and even the passage of time, as eternal as polished marble." Yet Russo's comedic timing keeps the novel from collapsing into an orgy of breast-beating, and his dialogue alone--snappy and natural and efficiently poignant--is sufficient cause to put Empire Falls on the map. --Bob Brandeis

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I am not a professional bookseller. I am disposing my personal library of signed first editions and autographs, collected as a hobby over the past 55 years.

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