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Fairfield Porter: Spike, John T.

Fairfield Porter

Spike, John T.

12 ratings by Goodreads
ISBN 10: 0810937190 / ISBN 13: 9780810937192
Published by U.S.A.: Harry N Abrams, 1992
Condition: Fine Hardcover
From Booklegger's Used Books ABAA (Chicago, IL, U.S.A.)

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Quantity Available: 1

About this Item

A fine, clean and very tight hardcover copy in a near fine, clean and bright jacket/brodart covered. First Edition. No bumped corners to book. No ownership signatures. Jacket is not priced clipped. Small one inch tear along rear fold near spine. Otherwise, this is a very nice copy. 277 Illustrations, including 184 plates in full color. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 37 YEARS. Bookseller Inventory # 000064D

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Bibliographic Details

Title: Fairfield Porter

Publisher: U.S.A.: Harry N Abrams

Publication Date: 1992

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Near Fine

Edition: 1st Edition

About this title


Providing both authorized biography and artistic analysis, this book draws on previously unpublished correspondence to describe the emergence of the American artist Fairfield Porter as a figurative painter in the post-war decades of Abstract Expressionism who struggled to achieve recognition. Porter's work is significant for its quintessentially American subject matter, and the book presents 280 paintings, prints and drawings as a kind of autobiography, for the artist's subjects were always himself, his family and friends, and the places where he lived.

From Publishers Weekly:

A figurative realist in the heyday of abstract expressionism, Fairfield Porter (1907-1975) shunned isms and continually broadened his approach, painting himself, his family and friends in New York City, in Southhampton, Long Island, and on an island off the Maine coast. An informative authorized biography and a critique of Porter's work, this lavishly illustrated monograph makes a case for Porter as a major American artist comparable to Pierre Bonnard in his subjective receptivity to people and events, a painter who caught the essence of each moment and never repeated himself. Spike, a specialist in Italian art, gives full consideration to Porter's gritty cityscapes of the 1930s, when he dabbled in radical political causes. From his friend Willem de Kooning, Porter learned to paint quickly and fearlessly, and from Bonnard and Vuillard, he was guided on his artistic course. Porter's airy, light-filled landscapes, interiors, portraits and crystalline ocean views are reproduced here in 280 plates, most of them in color.

Copyright 1992 Cahners Business Information, Inc.

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