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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: This companion to the cinema of Central Asia combines serious scholarly study with practical accessibility to construct an historical narrative, to discuss aspects of film production, and to consider the impact of film. It offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of the region. Bookseller Inventory #

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Synopsis: Cinema in Central Asia is the first comprehensive and up-to-date account of film in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Featuring specialists from Central Asia, Russia, Europe, and the United States, this companion to the cinema of Central Asia combines serious scholarly study with practical accessibility to construct an historical narrative, to discuss aspects of film production, and to consider the impact of film. It offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of the region.

The book includes a broad history of Central Asian film industry, along with incisive pieces explaining early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, and regional variations of post-Soviet filmmaking. The final section comprises biographic and filmographic entries on the principle figures of Central Asian cinema, providing scholars and filmgoers with a valuable reference.

About the Author: Michael Rouland is a historian of Russia, Central Asia, and Afghanistan. He has published widely on Central Asian cinema, culture, and national identity and since 2003, he has taught courses on Russian, Central Eurasian, and global history at Georgetown, Miami, and Stanford Universities. He is currently an historian for the U.S. Air Force.

Gulnara Abikeyeva is the Artistic Director of the International Eurasia Film Festival. She is the author of five books about cinematography of Kazakhstan and Central Asia and is a member of the FIPRESCI (International Federation of the Cinema Critics) and NETPAC (Network for the Promotion of Asian Cinema). She has been a jury member at the Berlin, Jeonju, Karlovy Vary and Anapa film festivals.

Birgit Beumers is Reader in the Russian Department, Bristol University. Her publications include Burnt by the Sun, Nikita Mikhalkov and Russia on Reels: The Russian Idea in Post-Soviet Cinema (as editor), all from I.B.Tauris. She is Editor of KinoKultura, the online film journal.

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Rouland, Michael
Published by I.B.Tauris and Co Ltd (2013)
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Book Description I.B.Tauris Co. Ltd., United Kingdom, 2013. Paperback. Condition: New. Language: English . Brand New Book. Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers. Seller Inventory # AA79781845119010

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Michael Rouland (editor of compilation), Gulnara Abikeyeva (editor of compilation), Birgit Beumers (editor of compilation)
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Book Description I.B.Tauris & Co Ltd. Paperback. Condition: new. BRAND NEW, Cinema in Central Asia: Rewriting Cultural Histories, Michael Rouland, Gulnara Abikeyeva, Birgit Beumers, Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers. Seller Inventory # B9781845119010

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Book Description I.B.Tauris Co. Ltd., United Kingdom, 2013. Paperback. Condition: New. Language: English . Brand New Book. Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers. Seller Inventory # AA79781845119010

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