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Woman Readers and the Ideology of Gender in Old French Verse Romance

Krueger, Roberta

ISBN 10: 0521432677 / ISBN 13: 9780521432672
Published by Cambridge University Press, 1993
Used Condition: As New Hardcover
From Dickson Street Bookshop (FAYETTEVILLE, AR, U.S.A.)

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About this Item

No markings. Binding is tight, covers and spine fully intact. Dust Jacket shows shelf wear - contains no tears or chips or other damage. Dust Jacket is in mylar. All edges are clean. Dust Jacket is Unclipped. Includes notes, bibliography and index. Very clean, crisp, and tight copy. Not Ex-Library. All books offered from DSB are stocked at our store in Fayetteville, AR. Save on shipping by ordering multiple titles. 338pp. HardcoverAs New Size: 5 1/2" x 8 3/4" English Text. Bookseller Inventory # 016051

Bibliographic Details

Title: Woman Readers and the Ideology of Gender in ...

Publisher: Cambridge University Press

Publication Date: 1993

Binding: Hardcover

Book Condition:As New

About this title

Synopsis:

This study focuses on the relationship between Old French verse romances and the women who formed a part of their audience, and challenges the commonly-held view that all courtly literature promoted the social welfare of the noblewomen to whom romances were dedicated or addressed. Using reader-response theory, feminist criticism and recent historical studies, Roberta Krueger provides close readings of a selection of texts, both well-known and less well-known, to show an intriguing variety of portrayals of women: misogynistic, idealizing and didactic. She suggests that romances not only taught their audiences idealized models of masculine and feminine behaviour (including a sophisticated underpinning of medieval women's loss of autonomy in the family, education and society during the twelfth and thirteenth centuries), but that many romances also invited their readers to criticise and to resist gender roles.

Book Description:

This study challenges the view that all courtly literature promoted the social status of women. Unlike previous books which focused on knights, it starts from the perspective of the woman reader/listener. Using reader-response theory, feminist criticism and recent historical studies, it suggests that romances taught gender roles, often inviting readers to criticise and resist them.

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