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Francesca Woodman

Woodman, Francesca

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ISBN 10: 3931141969 / ISBN 13: 9783931141967
Published by Scalo Fondation Cartier, New York, Berlin & Zurich, 1998
Condition: Fine Hardcover
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About this Item

First edition, first printing. This is the uncommon issue with text in English. A fine clean tight unmarked copy in fine dust jacket. A beautiful and important monograph. Bookseller Inventory # 000984

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Bibliographic Details

Title: Francesca Woodman

Publisher: Scalo Fondation Cartier, New York, Berlin & Zurich

Publication Date: 1998

Binding: Cloth

Book Condition:Fine

Dust Jacket Condition: Fine

Edition: First Edition

About this title

Synopsis:

Francesca Woodman became interested in photography in her early teens. This volume, combining text by Woodman, and by those who knew her, with many of her unpublished images, shows her intense relation with the camera. In 1981, Francesca Woodman died at the age of 22. 90 duotone photos.

From Library Journal:

Two of the finest recent monographs on contemporary photographers, these publications use completely different presentations to highlight each artist's work to its best advantage. Jacobson's blurry black-and-white images, which he has described as an "ongoing meditation around desire, loss, and the role of photography as a vehicle for remembrance," offer hazy apparitions, stand-ins for our own lost acquaintances, friends, and lovers. Presented chronologically, the 49 pictures here progress from mostly light, nearly recognizable images of people in familiar settings through fading portraits to almost black, abstract seascapes. The design is minimal, with one exquisitely printed sheet-fed gravure per spread; there is no text, but a short story about a lost love by curator Kertess and a list of plates close the volume. Though she committed suicide in 1981 when she was just 22 years old, Woodman remains influential and her work looks as fresh and startling as that of anyone working today. The daughter of artists, she immersed herself in photography from the time she received her first camera and was recognized early as an exceptional talent. She most frequently used herself or, more precisely, her body as subject, and she produced a wide range of work, from surreal tableaux to story boards to fleeting portraits. These works that above all else seem to convey the imprecision of life are well analyzed in four introductory essays. Next come more than 110 pages of plates drawn from the full decade that she was active, followed by a biography, exhibition history, and bibliography. This is the only work on Woodman in print and by far the most comprehensive ever published; it deserves a place in any serious photography collection. Though perhaps not a definitive study, Jacobson's book presents his work in the best possible light and belongs in collections with an interest in contemporary photography.AEric Bryant, "Library Journal"
Copyright 1999 Reed Business Information, Inc.

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