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Francis Bacon

Davies, Hugh;Yard, Sally

2 ratings by Goodreads
ISBN 10: 0896594475 / ISBN 13: 9780896594470
Published by Abbeville Press, New York, 1986
Condition: Near Fine Hardcover
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Maxwell's House of Books
La Mesa, CA, U.S.A.

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About this Item

A beautifully clean, crisp, unread hardcover copy inscribed to San Diego Union-Tribune columnist Burl Stiff; in near fine condition; scarcely discernable foxing at edges--otherwise, fine. Fine DJ in mylar cover. NOTE: Oversize volume; standard domestic shipping only. Bookseller Inventory # 021638

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Bibliographic Details

Title: Francis Bacon

Publisher: Abbeville Press, New York

Publication Date: 1986

Binding: Hardcover

Book Condition: Near Fine

Dust Jacket Condition: Fine

Signed: Inscribed By Authors

About this title


British artist Francis Bacon (1909-1992), one of the foremost artists of the 20th century, is known for his expressive figurative paintings. Perhaps Bacon's most famous image - the so-called "screaming pope" in Study after Vel zquez's Portrait of Pope Innocent X (1953) - became the touchstone for the longest series of paintings in his career, the Papal Portraits of 1953. In 1953 "haunted and obsessed by the its perfection", Bacon sought to reinvent Vel zquez's 17th-century Portrait of Pope Innocent X (1650) in the paintings that are the focus of this book. Francis Bacon replaced the grand, official state portrait with an intimate, spontaneous "candid camera" glimpse behind the well-ordered exterior. While the Spanish master Vel zquez portayed the pope ex cathedra, Bacon captured him in camera, as if behind a closed door or through a one-way mirror. This series of eight papal portraits, painted during a period of just a few weeks in the summer of 1953, was brought together for the first time by noted Bacon scholar Hugh M. Davies for a 1999 exhibition at the Museum of Contemporary Art, San Diego, along with several other works from the same period, including Sphinx I and two Study after Vel zquez paintings from 1950. This book includes an essay by Davies, discussing the artist's influences and sources of imagery for the series, and a previously unpublished interview that Davies conducted with Bacon in 1973.


Praise for Abbeville's Modern Masters series:

"Each author has thoroughly done his or her homework, knows the historical, critical and personal contexts intimately, and writes extraordinarily well." — Artnews

"Concise, well-produced, and well-written." — New York Times Book Review

"Brief, affordable, well illustrated, and packed with information." — Art in America

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