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GIRL WITH A PEARL EARRING.

Chevalier, Tracy.

ISBN 10: 0002258900 / ISBN 13: 9780002258906
Published by HARPER COLLINS., LONDON, 1999
Condition: Very Good Hardcover
From WAVERLEY BOOKS ABAA (Santa Monica, CA, U.S.A.)

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About this Item

Very good in fine 2nd issue DJ. , with correct spelling of "Earring" on rear panel of dust jacket. (Text age toned. Chaffing to upper & bottom boards. ) Author's SECOND book. Basis for an acclaimed film adaptation. Bookseller Inventory # 305479

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Bibliographic Details

Title: GIRL WITH A PEARL EARRING.

Publisher: HARPER COLLINS., LONDON

Publication Date: 1999

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Fine

Edition: First Edition; First Printing.

About this title

Synopsis:

Griet, a tilemaker's daughter in 17th-century Holland, starts her first job as a servant in the Vermeer household. Through Griet's eyes, the story is told of the family, the small town of Delft, and life with an obsessive genius. Griet is drawn into Vermeer's life, but there is a price to pay.

Review:

With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries--and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.

Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant--and ultimately has Griet sit for him as a model. Chevalier vividly evokes the complex domestic tensions of the household, ruled over by the painter's jealous, eternally pregnant wife and his taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic. Still, Girl with a Pearl Earring does contain a final delicious twist.

Throughout, Chevalier cultivates a limpid, painstakingly observed style, whose exactitude is an effective homage to the painter himself. Even Griet's most humdrum duties take on a high if unobtrusive gloss:

I came to love grinding the things he brought from the apothecary--bones, white lead, madder, massicot--to see how bright and pure I could get the colors. I learned that the finer the materials were ground, the deeper the color. From rough, dull grains madder became a fine bright red powder and, mixed with linseed oil, a sparkling paint. Making it and the other colors was magical.
In assembling such quotidian particulars, the author acknowledges her debt to Simon Schama's classic study The Embarrassment of Riches. Her novel also joins a crop of recent, painterly fictions, including Deborah Moggach's Tulip Fever and Susan Vreeland's Girl in Hyacinth Blue. Can novelists extract much more from the Dutch golden age? The question is an open one--but in the meantime, Girl with a Pearl Earring remains a fascinating piece of speculative historical fiction, and an appealingly new take on an old master. --Jerry Brotton

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