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GOD'S LOUD HAND. Poems

Cherry, Kelly

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ISBN 10: 0807118214 / ISBN 13: 9780807118214
Published by Baton Rouge: Louisiana State University Press, 1993, Baton Rouge, 1993
Soft cover
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Wrappers. First Edition. 8vo. Signed and inscribed by the author to another writer of note. A fine copy. Size: 8vo. Bookseller Inventory # 008905

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Bibliographic Details

Title: GOD'S LOUD HAND. Poems

Publisher: Baton Rouge: Louisiana State University Press, 1993, Baton Rouge

Publication Date: 1993

Binding: Wrappers

Signed: Signed by Author(s)

Edition: F.

About this title

Synopsis:

If religious poetry may be thought of as a great river fed, in the English language, by two main streams—the devotional tradition, leading in recent times to Anne Sexton and John Berryman, and the contrastingly philosophical tradition, exemplified by William Blake—it is to the latter that this new book by Kelly Cherry belongs.

In the poems of God’s Loud Hand, Cherry conducts—often not at all devotionally, often with an honesty that precludes the emphasis on self that tends to be present in devotional poetry (“Lord save me,” “Lord forgive me,” “Lord help me”)—a metaphorical investigation of the theological ideas. These are fiercely intellectual poems, which, in the way of T.S. Eliot, are more akin in their stringent analysis to Tillich or Niebuhr, perhaps, than to someone like Simone Weil. At their base in a willingness to ask Abraham’s great question, “Shall not the Judge of all the earth judge wisely?”

This intellectual boldness reveals itself in a formal argumentation rare in contemporary poetry. Like Donne or Hopkins, Kelly Cherry defines her terms, orders her points logically—no vagary or sentimentality appears here. The result of such exactitude is a kind of clarity, a grace, that seems to lift the poems off the page, to cause them to rise, make their own kind of ascension. It is as if these poems were larks—an exaltation of larks, as they say—that rise each morning to heaven’s gate, but instead of singing hymns, they sing philosophy’s own music.

And in what a remarkable variety of keys, what a range of modes and moods. From the opening poems of historical and mythological drama, through the passionate love songs of the second sections, through the dark night of the soul that takes place in the third, to the orchestral outburst of the final group of poems—poetry celebrating its own freedom ot be poetry—in all these parts (“a chorus of lyrics,” one might say) there is a symphonic unity that astonishes, an ode to joy.

About the Author:

Kelly Cherry is the author of over twenty-five books of fiction, poetry, and nonfiction, ten chapbooks, and translations of two classical plays. She is Eudora Welty Professor Emerita of English and Evjue-Bascom Professor Emerita in the Humanities at the University of Wisconsin-Madison. She and her husband live in Virginia.

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Charles Seluzicki, Fine & Rare Books, ABAA was established in the late 70's in Baltimore, Maryland. At that time, first specializing exclusively in poetry, we started our Fine Press Series and have published fine press books and broadsides by notable poets and writers: Ted Hughes, Seamus Heaney, Charles Simic, Tess Gallagher, Czeslaw Milosz, Mark Strand and a host of others. Projects by Charles Simic and Robert Lowell are in the works. Visitors are welcome by appointment.

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