GOOD FAITH.

Smiley, Jane.

ISBN 10: 0375412174 / ISBN 13: 9780375412172
Published by New York: Alfred A. Knopf, 2003. dj, 2003
Hardcover
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About this Item

SIGNED hardcover first edition - First printing. Novel set in the1980's, in the "seductive, wishful, wistful world of real estate, in which the sport of choice is the mind game. Her funny and moving new novel is about what happens when the American Dream morphs into a seven-figure American Fantasy." SIGNED on the title page. 417 pp. Fine in fine dust jacket. Bookseller Inventory # 44200

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Bibliographic Details

Title: GOOD FAITH.

Publisher: New York: Alfred A. Knopf, 2003. dj

Publication Date: 2003

Binding: Hardcover

Dust Jacket Condition: Dust Jacket Included

Signed: Signed by Author(s)

Edition: 1st Edition

About this title

Synopsis:

Jane Smiley brings her extraordinary gifts—comic timing, empathy, emotional wisdom, an ability to deliver slyly on big themes and capture the American spirit—to the seductive, wishful, wistful world of real estate, in which the sport of choice is the mind game. Her funny and moving new novel is about what happens when the American Dream morphs into a seven-figure American Fantasy.

Joe Stratford is someone you like at once. He makes an honest living helping nice people buy and sell nice houses. His not-very-amicable divorce is finally settled, and he’s ready to begin again. It’s 1982. He is pretty happy, pretty satisfied. But a different era has dawned; Joe’s new friend, Marcus Burns from New York, seems to be suggesting that the old rules are ready to be repealed, that now is the time you can get rich quick. Really rich. And Marcus not only knows that everyone is going to get rich, he knows how. Because Marcus just quit a job with the IRS.

But is Joe ready for the kind of success Marcus promises he can deliver? And what’s the real scoop on Salt Key Farm? Is this really the development opportunity of a lifetime?

And then there’s Felicity Ornquist, the lovely, feisty, winning (and married) daughter of Joe’s mentor and business partner. She has finally owned up to her feelings for Joe: she’s just been waiting for him to be available.

The question Joe asks himself, over and over, is, Does he have the gumption? Does he have the smarts and the imagination and the staying power to pay attention—to Marcus and to Felicity—and reap the rewards?

Good Faith captures the seductions and illusions that can seize America during our periodic golden ages (every Main Street an El Dorado). To follow Joe as he does deals and is dealt with in this newly liberated world of anything goes is a roller-coaster ride through the fun park of the 1980s. It is Jane Smiley in top form.
4/2003

Review:

Opening a Jane Smiley novel is like slipping into a warm bath. Here are people we know, places where we grew up. But the comforting, unassuming tone of her work allows Smiley incredible latitude as a writer, and her books are full of surprises. Good Faith, a novel about greed and self-delusion set in the economic boom of the early 1980s, is no exception. Joe Stratford is an amiable, divorced real estate agent in an unspoiled small town called Rollins Hills. He takes it in stride when a married female friend pursues a love affair with him; he is more suspicious when a high-rolling newcomer named Marcus Burns begins to influence the business affairs of the men closest to Joe. Nevertheless, the promise of easy riches draws Joe into one of Burns's real estate development schemes, and then, ominously, into gold trading. The steps by which a nice guy can be lured into betraying his principles are delineated so sharply in Good Faith that you wonder how Joe cannot see them. Although he never quite manages to understand what has happened to him, he's granted a moment of grace at the close of the novel, a second chance that has nothing to do with money, ambition, or the tarnished American Dream. Since we live with the legacy of the self-serving 1980s, Smiley's novel seems as timely as if it were set in the present. Penetrating, readable fiction by one of our best writers and social critics. --Regina Marler

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