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Gerhard Richter: Catalogue Raisonné, Volume 1: Nos. 1-198, 1962-1968

Richter) Dietmar Elger and Gerhard Richter

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ISBN 10: 3775791000 / ISBN 13: 9783775791007
Published by Hatje Cantz, 2011
Condition: As new Hardcover
From Recycle Bookstore (San Jose, CA, U.S.A.)

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Both book and dust jacket are as new. Slipcase is good with bottom edge split and separated. otherwise it looks very nice. Overseas shipping would be prohibitive. Bookseller Inventory # 901413

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Bibliographic Details

Title: Gerhard Richter: Catalogue Raisonné, Volume ...

Publisher: Hatje Cantz

Publication Date: 2011

Binding: Hardcover

Book Condition:As new

Dust Jacket Condition: fine

About this title


Gerhard Richter is recognized worldwide as one of the greatest living artists. With a brush that deftly and romantically captures abstract details and blurred newspaper images alike, he has transformed our understanding of art in the age of photographic reproduction and mass-media imagery. 100 Pictures is a faithful reprint of the intimate, cloth-bound book Richter created in 1996 as a nonstandard anthology of his oeuvre. Following a short introduction to his early work, which features pictures long held in his studio, 100 Pictures presents Richter's output from an intensive period of work between 1995-96. Though this period mainly saw the production of abstract works, it also begat a cycle of eight small-format paintings of an intimate, private nature, which portrays his young wife Sabine as a Madonna-and-child. 100 Pictures is an extraordinary document of contemporary art, finally back in print.


Having the lovely and intimate volume Gerhard Richter: 100 Pictures in your hands is like being transported to the renowned painter's exhibition at the Carré d'Art in Nîmes. The beautifully produced book presents paintings from 1995 to 1996, an incredibly prolific time for Richter. The luscious images range from colorful abstractions with scraped and textured paint to his signature realist paintings based on photographs. A charming essay by Guy Tosatto offers a poetic explanation of Richter's work. The telling of a conversation between a mother and her whip-smart son mimics the series of mother and child paintings. Tosatto's characters discuss the nature of painting and illusion, while the portraits of Richter's wife and young child emerge in various degrees of clarity. The domestic theme continues with a number of flower paintings, including two almost identical paintings of yellow tulips, one blurry and one almost in focus, and a portrait of soft pink flowers with broken stems. --J.P. Cohen

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