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Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich

Pamela M. Potter

3 ratings by Goodreads
ISBN 10: 0300072287 / ISBN 13: 9780300072280
Published by Yale University Press, New Haven, 1998
Condition: Fine Hardcover
From art longwood books (Rockport, MA, U.S.A.)

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About this Item

hardcover in dust jacket., clean, no writing or markings, tightly bound.; xx-364pp., examines german musicology between 1918-1945. Size: 8vo - over 7¾" - 9¾" tall. Bookseller Inventory # 9785

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Bibliographic Details

Title: Most German of the Arts: Musicology and ...

Publisher: Yale University Press, New Haven

Publication Date: 1998

Binding: Hard Cover

Book Condition:Fine

Dust Jacket Condition: Fine

Edition: First Edition/First Printing.

About this title

Synopsis:

This important book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler’s rise to power but survived the Nazi period to influence the conception of music history―including that of American musical scholarship―down to the present time.

Potter reveals that prominent German musicologists went beyond other scholars in serving the state by publicizing the German musical legacy as a source of national pride; exploring politically relevant research topics, including pseudo-scientific race theories; and participating in the Germanization of occupied and annexed territories during World War II. Nazi leaders recognized musicology’s potential service to Nazi causes, says Potter, and musicological ventures enjoyed generous support from the government, party, and SS. Scrutinizing private papers, archives, and rare publications, Potter breaks the silence imposed by the postwar German musicological establishment and demonstrates the extent to which the entire profession was politicized during the Nazi era.

Review:

...an illuminating book ... Until recently, general readers had access to remarkably few sources of solid information on the musical history of the Third Reich. All of that has changed drastically, thanks first to Michael Kater ... and now to Ms. Potter. -- The New York Times, James R. Oestreich

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