0300043732 A Fine book and a Fine dustjacket. Many illustrations, 267 pages. Bookseller Inventory #
Synopsis: This book explores the forces that shaped German Expressionism in the years before World War I. Jill Lloyd discusses the politics of the movement, the various indigenous political currents that influenced it, and in particular, the appeal of the primitive, an appeal that was enhanced by Germany's colonial aspirations and adventures. Lloyd argues that primitivism and modernity were the two poles of the German Expressionist movement. The artists' engagement with the city and with their own time and place led them to paint colourful, optimistic cabaret and circus scenes as well as lonely, alienating Berlin streets. At the same time, the Expressionists searched for a counter image to the modern world and turned to the eternal and timeless notions of the primitive. Some, such as Max Pechstein and Emil Nolde, even travelled to the South Seas, following in the footsteps of Gauguin. According to Lloyd, the Expressionists' concepts of the primitive and their ideas about non-European peoples and tribal art were reinforced by patterns of thought and colonial attitudes of the time. Lloyd finds links between the Expressionists' approach to primitive arts and crafts and the ethnography, sciences, politics, art history, and popular culture of their era. And as she examines their paintings, graphics, photographs, carved furniture and wall hangings, she shows how this diverse activity reflected an ideology that associated primitive peoples and unfettered behaviour with a fresh and more authentic culture. This book won the first National Art Book Prize.
From Library Journal:
Good writing on this subject has long been confined to exhibition catalog essays and works in the German language. Lloyd's monograph redresses this situation. However--a word to the wise--this book is really intended for the specialist. While the author takes great pains to make her points as salient as possible, the interconnections make complicated reading. Lloyd uses an interdisciplinary approach to treating the politics inherent in German expressionist art. Her richest arguments, backed by a fine choice of illustrations, center on the concept of Primitivism as a means of artistic communication. Prompted by new research in the last decade, the author has created a scholarly reinterpretation of the motives behind one of Europe's most dynamic modern art movements. This is a revelatory acquisition for research and academic libraries, but general collections might want to stick to Donald Gordon's Expressionism: Art and Idea (Yale Univ. Pr., 1987).
- Paula A. Baxter,
Copyright 1991 Reed Business Information, Inc.
Title: German Expressionism: Primitivism and ...
Publisher: Yale University Press 1991-07-24
Publication Date: 1991
Book Condition: Fine
Edition: 1St Edition.
Book Description 1991. Hardcover. Condition: Very Good. 1991 Yale University Press large format hardcover edition. Light reading wear else very good condition. Seller Inventory # AQD-I70-M9R
Book Description Yale University Press, New Haven, CT, 1991. 4to. VG/VG-. tall black DJ spine with light ivory titling between smaller ivory author and publisher. bright colors in pink and purple illustrate the jacket front. minor tiny cuts and several punctures along the edges of the glossy covers. very dark evergreen clothbound HB, spine stamped in gold, adjacent thick boards. light edgewear. solid black fep/ffep. filled with color and b/w illustrations upon white stock, clear and excellent textblock, more than 275 figures. 267 pp.; shelved German Art. Dupont. Seller Inventory # 9-13-1279883
Book Description Yale University Press, 1991. Hardcover. Condition: Used: Very Good. A heavy title may require an extra charge for shipping. Dust jacket has light shelf wear. Corners and edges lightly rubbed. Clean text. A percentage of the proceeds of this sale benefits a nonprofit organization. Please feel free to inquire for more details. Seller Inventory # SF-171226004
Book Description Yale University Press, 1991. Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A book that looks almost new with dustjacket; 11.14 X 9.96 X 1.09 inches; 272 pages. Seller Inventory # 112663
Book Description Yale University Press, 1991. Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Yale University Press, New Haven, 1991. Black cloth with gilt titles. Oversize. Illustrated with B&W photographs, reproductions and full- color reproductions. 267 pages. Binding is tight, sturdy, and square; boards and text also very good. DJ protected in Mylar wraps. Ships from Dinkytown in Minneapolis, Minnesota. Seller Inventory # 210763
Book Description Yale University Press 1991-07-24, 1991. Hardcover. Condition: Good. 1St Edition. 0300043732. Seller Inventory # 541902
Book Description Yale University Press, 1991. Hardcover. Condition: Used: Good. Seller Inventory # SONG0300043732
Book Description Yale University Press, 1991. Hardcover. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P020300043732
Book Description Yale Univ Pr, 1991. Hardcover. Condition: Good. Dust Jacket Condition: Good. dust jacket in brodart wraps. edge and corner wear, some creasing to dust jacket. small bit of rubbing, staining to boards. text is unmarked. binding sound. additional postage required for international orders. Seller Inventory # 037733
Book Description Yale University Press, 1991. Hardcover. Condition: New. Never used!. Seller Inventory # P110300043732