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Ghostwritten

Mitchell, David

21,329 ratings by Goodreads
ISBN 10: 0340739754 / ISBN 13: 9780340739754
Published by Random House, New York, 2000
Condition: See description Soft cover
From Beluga Books (Northampton, MA, U.S.A.)

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About this Item

The proper uncorrected proof of the first American edition of Mitchell's first book, not to be mistaken for the more often seen Advance Reading Copy in pictorial covers. Near fine, normally but not badly worn, in Random House's usual proof binding of the era. Seemingly the scarcest and earliest state of this edition. Bookseller Inventory # 000039

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Bibliographic Details

Title: Ghostwritten

Publisher: Random House, New York

Publication Date: 2000

Binding: Soft cover

Book Condition:See description

Edition: 1st Edition

About this title

Synopsis:

Winner of the Mail on Sunday/John Llewellyn Rhys Prize.A magnificent achievement and an engrossing experience, David Mitchell's first novel announced the arrival of one of the most exciting writers of the twenty-first century. An apocalyptic cult member carries out a gas attack on a rush-hour metro, but what links him to a jazz buff in downtown Tokyo? Or to a Mongolian gangster, a woman on a holy mountain who talks to a tree, and a late night New York DJ?Set at the fugitive edges of Asia and Europe, Ghostwritten weaves together a host of characters, their interconnected destinies determined by the inescapable forces of cause and effect.

Review:

"What is real and what is not?" David Mitchell's Ghostwritten: A Novel in Nine Parts plays with precisely this question throughout its elaborately compartmentalized narrative. (That there are 10 chapters in this 9-part invention is just one more aspect of the author's mysterious schema.) With its multitude of voices and globe-girdling locations--Tokyo, Hong Kong, Mongolia, Petersburg, London--this first novel offers readers a vertiginous, sometimes seductive, display of persona and place.

At the heart of Mitchell's book is the global extension of the postmodern city, and the networks (cultural, technological, phantasmagoric) to which it gives rise. A metropolis like Tokyo is quite literally beyond our comprehension:

Twenty million people live and work in Tokyo. It's so big that nobody really knows where it stops. It's long since filled up the plain, and now it's creeping up the mountains to the west and reclaiming land from the bay in the east. The city never stops rewriting itself. In the time one street guide is produced, it's already become out of date. It's a tall city, and a deep one, as well as a spread-out one.
At this level, urban sprawl becomes an epistemological condition. On one hand it leads to a Japanese death cult, purging the "unclean" from the city's subway with nerve gas. And on the other, it produces a certain splintering of the human personality. "I'm this person, I'm this person, I'm that person, I'm that person too," chants Neal, the narrator of the book's second part. "No wonder it's all such a ... mess." He's talking about his life as a Hong Kong trader, a "man of departments, compartments, apartments." But he might also be describing the experience of reading Ghostwritten. At once loquacious and knowing, leisurely and frantic, Mitchell offers a huge, but fragmentary, portmanteau. And while he's labored diligently to solder together the many parts--the aching bodies, the reality police, the impossibly complex machinery of contemporary life--his novel, too, may suffer from an excess of split personality. --Vicky Lebeau

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