Title: The God Of Small Things
Publisher: Random House
Publication Date: 1997
Book Condition: Very Good In Wrappers
New York. 1997. Random House. Uncorrected Proof. Very Good In Wrappers. 321 pages. paperback. 0679457313. keywords: Literature India Women. inventory # 23671. FROM THE PUBLISHER - Southern India 1969. Here, armed only with the invincible innocence of children, Rahel and Esthappen fashion a childhood for themselves in the shade of the wreck that is their family: their lonely, lovely mother, who loves by night the same man her children adore by day.their blind grandmother, who plays Handel on her violin.their beloved uncle, A Rhodes Scholar pickle baron, radical Marxist, bottom-pincher.their enemy, an ex-nun and incumbent grandaunt.and the ghost of an imperial entomologistís moth. But when their English cousin and her mother arrive for a Christmas visit, the twins learn that things can change in an instant, thatlives can twist into new, ugly shapes, even cease forever. The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it. Arundhati Roy was trained as an architect and is also an award-winning screenwriter. THE GOD OF SMALL THINGS is her first novel. Like her twin protagonists, she was raised near her grandmotherís pickle factory in Kerala, India. She now resides in New Delhi. Bookseller Inventory # 23671
Synopsis: "They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved and how. And how much. "
The year is 1969. In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .
Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family--their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).
When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.
The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.
The God of Small Things takes on the Big Themes--Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.
Review: In her first novel, award-winning Indian screenwriter Arundhati Roy conjures a whoosh of wordplay that rises from the pages like a brilliant jazz improvisation. The God of Small Things is nominally the story of young twins Rahel and Estha and the rest of their family, but the book feels like a million stories spinning out indefinitely; it is the product of a genius child-mind that takes everything in and transforms it in an alchemy of poetry. The God of Small Things is at once exotic and familiar to the Western reader, written in an English that's completely new and invigorated by the Asian Indian influences of culture and language.
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