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The Good Body

Eve Ensler

1,991 ratings by Goodreads
ISBN 10: 037550284X / ISBN 13: 9780375502842
Published by Villard, 2004
Condition: Collectible: Like New Hardcover
From Crestview Books (Westerville, OH, U.S.A.)

AbeBooks Seller Since March 2, 2004 Seller Rating 5-star rating

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About this Item

Signed Like new hardback and jacket! Binding is tight and square. Personalized inscription (to Lynn) signed by author on half-title page. Text is clean, unmarked. First edition, 1st printing. Full number line: 2 4 6 8 9 7 5 3 1 (Shelf location: A) All items carefully packed to avoid damage from moisture and rough handling. Tracking included. Bookseller Inventory # 053343

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Bibliographic Details

Title: The Good Body

Publisher: Villard

Publication Date: 2004

Binding: Hard Cover

Book Condition: Collectible: Like New

Dust Jacket Condition: Like New

Signed: ISigned

Edition: First Edition.

About this title

Synopsis:

Botox, bulimia, breast implants: Eve Ensler, author of the international sensation The Vagina Monologues, is back, this time to rock our view of what it means to have a “good body.” “In the 1950s,” Eve writes, girls were “pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don’t eat too much. They . . . don’t eat at all. They stay perfect. They stay thin. I could never be good.”

The Good Body
starts with Eve’s tortured relationship with her own “post-forties” stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the “flabby badness” out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating “spread,” a stubborn layer of fat that she calls “a second pair of thighs.” The wife of a plastic surgeon recounts being systematically reconstructed–inch by inch–by her “perfectionist” husband. An aging magazine executive, still haunted by her mother’s long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups.

Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature’s diversity; an Indian woman who transcends “treadmill mania” and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve’s global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the “good bodies” we inhabit.

About the Author:

EVE ENSLER is an internationally acclaimed playwright whose many works for the stage include Floating Rhonda and the Glue Man, Lemonade, Necessary Targets, and The Vagina Monologues, for which she received an Obie Award. Performances of The Vagina Monologues, sponsored by V-Day (www.vday.org), have raised $25 million to stop violence against abused women and girls around the world. She lives in New York City.

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