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Gusmano Cesaretti: Fragments of Los Angeles 1969-1989: Michael Mann, Jeffrey Deitch, Aaron Rose Gusmano Cesaretti: Fragments of Los Angeles 1969-1989: Michael Mann, Jeffrey Deitch, Aaron Rose Gusmano Cesaretti: Fragments of Los Angeles 1969-1989: Michael Mann, Jeffrey Deitch, Aaron Rose Gusmano Cesaretti: Fragments of Los Angeles 1969-1989: Michael Mann, Jeffrey Deitch, Aaron Rose

Gusmano Cesaretti: Fragments of Los Angeles 1969-1989

Michael Mann, Jeffrey Deitch, Aaron Rose

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ISBN 10: 8862082754 / ISBN 13: 9788862082754
Published by Damiani/Alleged Press, 2013
Condition: Near Fine Hardcover
From Planet Books (Long Beach, CA, U.S.A.)

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About this Item

160 pages. Signed to the title page in thin black sharpie by the photographer Gusmano Cesaretti. Large trade sized hardcover with illustrated boards and black cloth binding stamped with white titles. High quality slick paper stock for the 99% of black & white photos. In Near Fine condition, small bump to the bottom front and back corner. Otherwise like new, straight and tight binding. Interior like New. Gusmano's first book of photography centrualizing around the Los Angeles area, its lifestyles of the Klique car club, Chicano street barrio culture and L.A. gang life. An accurate glimpse into the darker of Los Angeles and its inhabitants. Paypal always welcome. We pack and ship all our books with care in cardboard boxes. Additional photos emailed upon request. Overseas shipping is $63 for Flat Rate Priority. Bookseller Inventory # 08-17-14-case-2

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Bibliographic Details

Title: Gusmano Cesaretti: Fragments of Los Angeles ...

Publisher: Damiani/Alleged Press

Publication Date: 2013

Binding: Hardcover

Book Condition:Near Fine

Dust Jacket Condition: No Jacket

Signed: Signed by Illustrator(s)

Edition: 1st Edition

About this title

Synopsis:

Self-taught Italian photographer Gusmano Cesaretti (born 1944) was one of the very first photographers to document the street culture of East Los Angeles, and The Thrill Is Gone is a retrospective history of his celebrated photographic work of the 1970s. Chapters include “Bikers,” “East L.A. Diary,” “Folsom Prison,” “Maria Sabina,” “Muscle Beach” and “Street Writers,” along with selected other iconic images from this important time in the photographer’s creative history. As a boy growing up in Italy, Cesaretti listened to jazz and rock ’n’ roll on the radio, and was drawn to the worlds of Marlon Brando and James Dean in Hollywood movies. But when he arrived in the U.S.--Cesaretti has lived in Los Angeles since 1970--it was the raw energy, graffiti, culture and people of East L.A. that seduced him. His early work--featured here in the chapter “East L.A. Diary”--documents his immersion in the low-rider subculture of the Klique car club. Cesaretti credits his poor English with allowing him to earn the trust of local residents--he found it hard to understand their graffiti on his own and had to ask for help. Independent curator Aaron Rose describes him as “one of the few true artists documenting outlaw cultures in the tradition of Robert Frank.”

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