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Gustav Klimt :; from drawing to painting

Nebehay, Christian Michael; Klimt, Gustav

36 ratings by Goodreads
ISBN 10: 0810935104 / ISBN 13: 9780810935105
Published by H.N. Abrams, New York, 1994
Condition: Fine Hardcover
From Owl & Company Bookshop (Calvello Books) (Oakland, CA, U.S.A.)

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About this Item

Folio in multicolored yellow DJ; 288 p, illus (some color) ; 34 cm. Art. A bright, fine copy in a fine DJ. Bookseller Inventory # 79375

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Bibliographic Details

Title: Gustav Klimt :; from drawing to painting

Publisher: H.N. Abrams, New York

Publication Date: 1994

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Dust Jacket Included

Edition: First American edition.

About this title

Synopsis:

Explores the turn-of-the-century Viennese painter's life and work, highlights the utopian Seccession movement of which Klimt was a leader, and reproduces the artist's paintings, sketches, and correspondence

From Kirkus Reviews:

Andrew Wyeth's Helgas be damned. Klimt's erotic turn-of-the- century Viennese paintings have of late become popular iconographic fodder, and this handsome and luxuriant coffee-table extravaganza goes a long way to showing why. Nebehay's father was a friend and art dealer of Klimt's (18621918). The author himself is an Austrian antiquarian bookseller and scholar of Klimt, and of his notorious student, Egon Schiele. Nebehay puts his penchant for detail to great use as he incorporates a lively variety of visual sources: period postcards, posters, sepia photographs of the artist and his milieu, industrial-design objects of the period, examples of Viennese Ringstrasse neo-baroque architecture, and facsimile reproductions of sketchbook pages and correspondences. Special attention is paid to Vienna's utopian Secession movement, of which Klimt served as de facto leader. Its members included Otto Wagner, Josef Hoffmann, and Joseph Maria Olbrich. The work of these men, as well as that of Klimt's students Oskar Kokoschka and Schiele, is detailed in depth in the author's workmanlike and thoroughly annotated text. The book's real strength, though, is pictorial. The images are arranged in powerful juxtapositions. Klimt's loose and mellifluous pencil studies of nudes are counterposed with his intricate and stiffly stylized finished paintings. Elsewhere, full-bleed double-page spreads are effectively employed to reproduce sketchbook studies- -virtuoso doodlings in India ink of achingly erotic waifs and hollow-eyed death skulls. Lastly, a curriculum vitae time line is augmented with photos, Klimt's personal writings, and exhaustive supporting notes. In all, a package filled with studious information that succeeds foremost through its daring and stylish visual presentation. As art books go, this one offers quite the ride--heights of intoxicating decadence tethered down by scrupulous scholarly documentation. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

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