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ONE HUNDRED YEARS OF SOLITUDE.

Marquez, Gabriel Garcia.

ISBN 10: 0060114185 / ISBN 13: 9780060114183
Published by HARPER & ROW., NY, 1970
Condition: Fine Hardcover
From WAVERLEY BOOKS ABAA (Santa Monica, CA, U.S.A.)

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Close to fine in a priceclipped, otherwise close to near fine '2nd' issue dj. (Spine on dj. mildly age toned. Light shelfwear at head of rear panel of dj. Smaller than dime-size soil spot on rear dj. flap) Author's masterpiece. (B). Bookseller Inventory # 311192

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Bibliographic Details

Title: ONE HUNDRED YEARS OF SOLITUDE.

Publisher: HARPER & ROW., NY

Publication Date: 1970

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Dust Jacket Included

Edition: First Edition.

About this title

Synopsis:

A best seller and critical success in Latin America, Europe, and the United States, One Hundred Years of Solitude tells the story of the rise and fall, birth and death of teh mythical town of Macondo through the history of the Buendia family. It is a rich and billiant chronicle of life and death and the tragicomedy of man. In the noble, ridiculous, beautiful, and tawdry story of the Buendia family one sees all mankind, just as in the history, myths, growth, and decay of Macondo one sees all of Latin America.

Love and lust, war and revolution, reiches and poverty, youth and senility--the variety of life, the endlessness fo death, the search for peace and truth--these, the universal themes, dominate the novel. Whether he is describing an affair of passion or the voracity of capitalism and the corruption of government, Garcia Marquez always writes with the simplicity, ease, and purity that are the mark fo a master. Inventive, amusing, magnetic, sad, alive with unforgettale men and women, and with a truth and understanding that strike the soul, One Hundred Years of Solitude is a masterpiece of the art of fiction.

Review:

"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."

It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:

A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" Úrsula shouted.

The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."

With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber

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