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Haydn And His World.

Sisman, Elaine (editor).

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ISBN 10: 0691057990 / ISBN 13: 9780691057996
Published by Princeton University Press, Princeton, 1997
Condition: Very Good Soft cover
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474 pages. Softcover. Very good condition. MUSIC. Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the so-called Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time. (Key Words: Franz Joseph Haydn, Elaine Sisman, Music, Bard Music Festival, Biography, James Webster, Mary Hunter, Piano Trios, String Quartets, Mark Evan Bonds, Rebecca Green, Tom Beghin, Leon Botstein). Bookseller Inventory # 31362X1

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Bibliographic Details

Title: Haydn And His World.

Publisher: Princeton University Press, Princeton

Publication Date: 1997

Binding: Softcover

Book Condition: Very Good

Edition: First Printing..

Book Type: book

About this title

Synopsis:

Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time.



Haydn and His World opens with an examination of the contexts of the composer's late oratorios: James Webster connects the Creation with the sublime--the eighteenth-century term for artistic experience of overwhelming power--and Leon Botstein explores the reception of Haydn's Seasons in terms of the changing views of programmatic music in the nineteenth century. Essays on Haydn's instrumental music include Mary Hunter on London chamber music as models of private and public performance, fortepianist Tom Beghin on rhetorical aspects of the Piano Sonata in D Major, XVI:42, Mark Evan Bonds on the real meaning behind contemporary comparisons of symphonies to the Pindaric ode, and Elaine R. Sisman on Haydn's Shakespeare, Haydn as Shakespeare, and "originality." Finally, Rebecca Green draws on primary sources to place one of Haydn's Goldoni operas at the center of the Eszterháza operatic culture of the 1770s.


The book also includes two extensive late-eighteenth-century discussions, translated into English for the first time, of music and musicians in Haydn's milieu, as well as a fascinating reconstruction of the contents of Haydn's library, which shows him fully conversant with the intellectual and artistic trends of the era.

About the Author:

Elaine R. Sisman is Professor of Music at Columbia University. She is the author of Haydn and the Classical Variation and Mozart: The "Jupiter" Symphony.

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