Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy

Moi, Toril

Published by Oxford University Press, USA, 2008
ISBN 10: 0199202591 / ISBN 13: 9780199202591
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Synopsis: Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism, Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism.

Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday.

This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.

About the Author:
Toril Moi was born and raised in Norway, and worked in England in the 1980s, before moving to Duke University in 1989, where she is now the James B. Duke Professor of Literature and Romance Studies. She is the author of influential books on feminist theory. The second edition of her landmark study of Simone de Beauvoir will be published in January 2008.

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Title: Henrik Ibsen and the Birth of Modernism: Art...
Publisher: Oxford University Press, USA
Publication Date: 2008
Binding: Paperback
Book Condition: Good

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Book Description Book Condition: New. Henrik Ibsen (1828-1906) is the founder of modern theatre, and his plays are performed all over the world. Yet in spite of his unquestioned status, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theatre. Moi here makes a powerful case not just for Ibsen's modernity, but also for his modernism. She shows the extent of his influence on writers such as Shaw, Wilde and Joyce, who were seeking to escape the shackles of Victorianism, and explains why Ibsen still matters to us today by focusing on two major themes -- his explorations of women, men and marriage and his clear-eyed chronicling of the tension between scepticism and the everyday. Positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism.A magisterial book. LONDON REVIEW OF BOOKS. Bookseller Inventory # 1603

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Book Description Oxford University Press, United Kingdom, 2008. Paperback. Book Condition: New. Language: English . Brand New Book. Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen s modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism. Bookseller Inventory # AOP9780199202591

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