History of Music Western Culture, Books a la Carte Plus MySearchLab with eText -- Access Card Package (4th Edition)
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0205932606 May have signs of use, may be ex library copy. Book Only. Used items do not include access codes, cd's or other accessories, regardless of what is stated in item title. Bookseller Inventory # Z0205932606Z3
About this title:
Learn the History of Music, through Music.
A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past.
Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Students will have a sound basis from which to explore other musical works. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs.
Upon completing this book, students will be able to:
- Grasp the evolution of musical style and music's changing uses within the Western tradition.
- Have a sound basis from which to explore other musical works.
- Gain a better understanding of the nature of music
This Book a la Carte Edition is an unbound, three-hole punched, loose-leaf version of the textbook and provides students the opportunity to personalized their book by incorporating their own notes and taking the portion of the book they need to class ? all at a fraction of the bound book price.
About the Author:
Mark Evan Bonds is the Cory C. Boshamer Distinguished Professor of Music at the University of North Carolina at Chapel Hill, where he has taught since 1992. He holds degrees from Duke University (BA), Christian-Albrechts-Universität Kiel (MA), and Harvard University (PhD). His publications include Wordless Rhetoric: Musical Form and the Metaphor of the Oration (1991), After Beethoven: Imperatives of Symphonic Originality (1996), and Music asThought: Listeningto the Symphony in the Age of Beethoven (2006). He has also published essays on the music of Haydn and Mozart and has served as editor-in-chief of Beethoven Forum.
Title: History of Music Western Culture, Books a la...
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