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Home: A Memoir of My Early Years

Andrews, Julie

9,788 ratings by Goodreads
ISBN 10: 0786865652 / ISBN 13: 9780786865659
Published by Hyperion Books, New York, 2008
New Condition: New Hardcover
From Jay Toelkes (Salem, OR, U.S.A.)

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2008 New Book, New Unclipped jacket ($28.95), Stated First Edition, First Printing 1,3,5,7,9,10,8,6,4,2 339 clean tight unmarked unread pages, 32 full glossy pages of b/w photos in two equal sections of 16 each, book has white boards with gilt title and deco on the front cover, 1/4 gold cloth covered spine with gilt embossed lines and lettering, jacket has a b/w photo of Julie Andrews on the front and back, gold and white embossed lettering, a beautiful book. Bookseller Inventory # 004774

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Bibliographic Details

Title: Home: A Memoir of My Early Years

Publisher: Hyperion Books, New York

Publication Date: 2008

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: New

Edition: 1st Edition

About this title

Synopsis:

Since her first appearance on screen in Mary Poppins, Julie Andrews has played a series of memorable roles that have endeared her to generations. But she has never told the story of her life before fame. Until now.

In Home: A Memoir of My Early Years, Julie takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America. Her memoir begins in 1935, when Julie was born to an aspiring vaudevillian mother and a teacher father, and takes readers to 1962, when Walt Disney himself saw her on Broadway and cast her as the world's most famous nanny.

Along the way, she weathered the London Blitz of World War II; her parents' painful divorce; her mother's turbulent second marriage to Canadian tenor Ted Andrews, and a childhood spent on radio, in music halls, and giving concert performances all over England. Julie's professional career began at the age of twelve, and in 1948 she became the youngest solo performer ever to participate in a Royal Command Performance before the Queen. When only eighteen, she left home for the United States to make her Broadway debut in The Boy Friend, and thus began her meteoric rise to stardom.

Home is filled with numerous anecdotes, including stories of performing in My Fair Lady with Rex Harrison on Broadway and in the West End, and in Camelot with Richard Burton on Broadway; her first marriage to famed set and costume designer Tony Walton, culminating with the birth of their daughter, Emma; and the call from Hollywood and what lay beyond.

Julie Andrews' career has flourished over seven decades. From her legendary Broadway performances, to her roles in such iconic films as The Sound of Music, Mary Poppins, Thoroughly Modern Millie, Hawaii, 10, and The Princess Diaries, to her award-winning television appearances, multiple album releases, concert tours, international humanitarian work, best-selling children's books, and championship of literacy, Julie's influence spans generations. Today, she lives with her husband of thirty-eight years, the acclaimed writer/director Blake Edwards; they have five children and seven grandchildren.

Featuring over fifty personal photos, many never before seen, this is the personal memoir Julie Andrews' audiences have been waiting for.

Review:

Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noël Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted in tabloid times. Since the book ends just as Andrews is about to launch into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes

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