Hyperboles: The Rhetoric of Excess in Baroque Literature and Thought (Harvard Studies in Comparative Literature)

Christopher D. Johnson

Published by Harvard University Press, 2010
ISBN 10: 0674053338 / ISBN 13: 9780674053335
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Synopsis: This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Góngora, Quevedo, and Sor Juana), English drama (King Lear and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence.

About the Author: Christopher D. Johnson is Associate Professor of Comparative Literature at Harvard University.

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Title: Hyperboles: The Rhetoric of Excess in ...
Publisher: Harvard University Press
Publication Date: 2010
Binding: Paperback
Book Condition: Good

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Book Description Department of Comparative Literature, United States, 2010. Paperback. Condition: New. Language: English. Brand new Book. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric ("Gongora", "Quevedo", and "Sor Juana"), English drama ("King Lear" and translations of "Seneca"), and French philosophy ("Descartes" and "Pascal"), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. Seller Inventory # AAH9780674053335

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Book Description Department of Comparative Literature, United States, 2010. Paperback. Condition: New. Language: English. Brand new Book. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric ("Gongora", "Quevedo", and "Sor Juana"), English drama ("King Lear" and translations of "Seneca"), and French philosophy ("Descartes" and "Pascal"), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. Seller Inventory # AAH9780674053335

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