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Imaging the Early Medieval Bible (Penn State Series in the History of the Book)

Williams (ed.)

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ISBN 10: 0271017686 / ISBN 13: 9780271017686
Published by Pennsylvania State Univ Pr (Txt)
Condition: Used - Very Good Hardcover
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About this Item

1999. Cloth, dj., 4to., 227 pp., illus. Bookseller Inventory # S54452

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Bibliographic Details

Title: Imaging the Early Medieval Bible (Penn State...

Publisher: Pennsylvania State Univ Pr (Txt)

Binding: Hardcover

Book Condition:Used - Very Good

Dust Jacket Condition: Dust Jacket Included

About this title

Synopsis:

Traditionally, historians of biblical illustration have maintained that the subjects and format of Bible illustration were largely determined by archetypes of the earliest years of Christian artistic culture. In this book, John Williams and four other prominent mediaeval scholars challenge this conventional wisdom and find the illustration and decoration of the Bible to be an enterprise essentially guided in its genesis by the dynamics of a new culture. First, John Lowden asserts that biblical manuscript illumination is more likely to have derived from, than to have inspired, biblical monumental painting. Katrin Kogman-Appel provides a thorough survey of the debate over how Jewish motifs entered Christian art. In her discussion of Roman manuscript art, Dorothy Verkerk proposes that the celebrated Ashburnham Pentateuch, rather than the hypothetical Leo Bible proffered by Koehler, should be taken as a witness to the capital's approach to Bible illustration and the kind of model sent to the monastic sciptoria north of the Alps. Lawrence Nees presents the northern Bibles, Insular and Carolingian, as individual commissions for specific donors made at certain specific moments in time. Finally, John Williams studies the Bible of 960 in Leon, an ideal vehicle to examine the premises underlying reigning theories of the evolution of Bible illustration. Although its format and extensive imagery have been taken as a sign that it reflected early stages of Bible illustration, it stands revealed as owing little to pictorial traditions. Taken together, these essays present the argument that illustrated and decorated Bibles were shaped by ad hoc decisions that resulted in a creative variety of approaches.

About the Author:

John Williams is Distinguished Service Professor Emeritus of Art History at the University of Pittsburgh. His previous books include The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse (Harvey Miller, 1994) and A Spanish Apocalypse: The Morgan Beatus Manuscript (Braziller, 1991).

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