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The Impressionist

Kunzru, Hari

2,440 ratings by Goodreads
ISBN 10: 052594642X / ISBN 13: 9780525946427
Published by E P Dutton, New York, New York, U.S.A., 2002
Used Condition: Fine Hardcover
From Beaver Bridge Books (Holiday Island, AR, U.S.A.)

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Mylar-protected dust jacket. Not price-clipped, remaindered or ex-library. Clean, tight and bright. Bookseller Inventory # 000064

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Bibliographic Details

Title: The Impressionist

Publisher: E P Dutton, New York, New York, U.S.A.

Publication Date: 2002

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Fine

Edition: 1st Edition

About this title

Synopsis:

At the age of fifteen, Pran Nath Razdan is thrown out onto the streets when the truth of his parentage is revealed, forcing him to re-invent himself over and over to survive as he journeys from Victorian India to Edwardian London where he learns to master his chameleon-like ability to transform himself into whoever and whatever he needs to fulfill his utmost desires. A first novel. 75,000 first printing.

Review:

The antihero of The Impressionist, Hari Kunzru's daringly ambitious first novel, is half English and half Indian. In the Raj of the 1920s, the racial and social divides are enormous, but Pran Nath is able to bridge them, crossing from one side to another in a series of reinventions of his own personality. He begins as the spoiled child of an Indian lawyer, but circumstances thrust him out of his pampered adolescence into the teeming and dangerous life of the streets. After a bewildering period as one of the pawns in Machiavellian political and sexual scheming in the decadent court of a minor Maharajah, he escapes to Bombay. There he is taken up by a half-demented Scottish missionary and his wife, but Pran Nath prefers to slope off to the city's red-light district whenever he can. During a time of riot and bloodshed, the chance of re-creating himself as an English schoolboy destined for public school and Oxford presents itself, and he takes it. But this is not his final transformation.

In certain ways Kunzru is almost too ambitious. There is so much crammed onto the pages of The Impressionist that some of it, almost inevitably, doesn't work as well as it might. However, as the shapeshifting Pran Nath moves from one identity to another, knockabout farce mixes with satire, social comedy with parody. And beneath the comic exuberance and linguistic invention, there is an intelligent and occasionally moving examination of notions of self, identity, and what it means to belong to a class or society. --Nick Rennison, Amazon.co.uk

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