JOHN SLOAN’S PRINTS. A Catalogue Raisonné of Etchings, Lithographs, and Posters. With a ... JOHN SLOAN’S PRINTS. A Catalogue Raisonné of Etchings, Lithographs, and Posters. With a ... JOHN SLOAN’S PRINTS. A Catalogue Raisonné of Etchings, Lithographs, and Posters. With a ... JOHN SLOAN’S PRINTS. A Catalogue Raisonné of Etchings, Lithographs, and Posters. With a ...

JOHN SLOAN’S PRINTS. A Catalogue Raisonné of Etchings, Lithographs, and Posters. With a Forward by Jacob Kainen

Sloan, John; Morse Peter

Published by New Haven Yale University Press 1969, 1969
Soft cover
From Buddenbrooks, Inc. (Newburyport, MA, U.S.A.)

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LIMITED Special Edition of only 150 numbered copies, this being Number 5, including a proof etching limited to 150 of the hitherto unpublished plate "Woman with Hand to Chin" signed and dated for John Sloan by his widow and famed patron of the arts, Helen Farr Sloan. THIS COPY WITH TWO OF THE SIGNED PROOFS INCLUDED. Extensively illustrated throughout including reproductions of 313 engraved plates, 32 figures and 20 posters, all handsomely produced in black and white. Folio, publisher’s original blue/gray polished buckram lettered on the spine in gilt, in the original cloth covered slipcase with a large pastedown on the upper cover showing one of Sloan’s engravings. The two signed proofs are in a pocket affixed to the inside rear cover. 406 pp. An excellent and very handsome copy, internally pristine and as new, the cloth fine and with virtually no evidence of age , the slipcase fine and still very handsome and strong with a just bit of expected evidence of shelving or age. ONE OF ONLY 150 COPIES AND THIS COPY WITH TWO OF THE SIGNED PROOF ETCHINGS, only one was intended to be provided with each copy of the book. A very impressive and handsomely produced Catalogue Raisonné of John Sloan, a member of The Eight, a group of American artists, and the leading figure in the Ashcan School of realist artists. In AMERICAN VISIONS the critic Robert Hughes praised the influence of "the most lyrical, and politically acerbic of the Ashcan artists, 'a spectator of life', as he called himself. Sloan's work had an honest humane-ness, a frank sympathy, he refused to flatten lower-class New Yorkers into stereotypes of misery, and his strong sense of the moments in which ordinary people are seen unawares, or isolated, was to deeply affect the leading artist of the next generation, Edward Hopper.". Bookseller Inventory # 22952

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Bibliographic Details

Title: JOHN SLOAN’S PRINTS. A Catalogue Raisonné of...

Publisher: New Haven Yale University Press 1969

Publication Date: 1969

Binding: Soft cover

Signed: Signed by Author(s)

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