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Jim Dine: The Photographs, So Far (Four Volume Set) [SIGNED] [IMPERFECT]: DINE, Jim, GRUNDBERG, ... Jim Dine: The Photographs, So Far (Four Volume Set) [SIGNED] [IMPERFECT]: DINE, Jim, GRUNDBERG, ... Jim Dine: The Photographs, So Far (Four Volume Set) [SIGNED] [IMPERFECT]: DINE, Jim, GRUNDBERG, ... Jim Dine: The Photographs, So Far (Four Volume Set) [SIGNED] [IMPERFECT]: DINE, Jim, GRUNDBERG, ...

Jim Dine: The Photographs, So Far (Four Volume Set) [SIGNED] [IMPERFECT]

DINE, Jim, GRUNDBERG, Andy, LIVINGSTONE, Marco, WILES, Stephanie, MONTEROSSO, Jean-Luc

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ISBN 10: 388243905X / ISBN 13: 9783882439052
Published by Steidl and Partners, Göttingen, 2003
Condition: Near Fine Hardcover
From Vincent Borrelli, Bookseller (Albuquerque, NM, U.S.A.)

AbeBooks Seller Since February 22, 2001 Seller Rating 5-star rating

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SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout).First edition, first printing. Signed in black marker on the title page of Volume 1 by Dine. Hardcover. Four volumes with green, red, yellow and blue cloth-covered boards respectively and title stamped in black on covers and spines, no dust jackets as issued; contained in a brick-red cloth covered slipcase with title printed on front. Photographs and text by Jim Dine. Edited by Stephanie Wiles. Essays by Andy Grundberg, Marco Livingstone and Stephanie Wiles. Interview with the artist by Jean-Luc Monterosso. Catalogue raisonné by Stephanie Wiles with the assistance of Julia D'Amario, Lauren Panzo and Edy Ferguson. Designed by Jim Dine, Diana Michener and Gerhard Steidl. 1046 pp., with 139 four-color and over 500 duotone plates beautifully printed by Steidl from scans made in the Steidl digital darkroom. 11-7/8 x 9 x 4-1/4 inches.Published on the occasion of the exhibition "Jim Dine, The Photographs, So Far," organized the Maison Européenne de la Photographie, Paris, and the Davison Art Center, Wesleyan University, Middletown, Connecticut. Volume 1 has a small bump to the upper corner of the boards, not affecting any of the pages, else As New; slipcase bumped at one corner; in publisher's original printed white cardboard box. Volume 1: Heliogravures; Volume 2: Digital Prints; Volume 3: Polaroids, Chromogenics & Gelatin Silver Prints; Volume 4: Text.From the publisher: "This catalogue raisonné marks the first comprehensive exhibition of photographs by Jim Dine. Since 1996, the internationally acclaimed artist has used cameras and lenses to make images that he has turned into prints using heliogravure and digital ink-jet processes, as well as conventional color and black and white photographic printing. Combining his zest for image making with a long devotion to self-expressive materiality, Dine imbues his photographs with an intensity that is occasionally traumatic but invariably beautiful. Dine's photographs present a familiar repertory of images: tools, hearts and a torso of Venus, as well as the more recent iconography of a crow, a skull, a Pinocchio doll, and an odd-couple ape and cat. For Dine photography is one among other media, the camera but one of many tools with which to make pictures. This refusal to privilege one method over another helps explain how, in the space of only six or seven years, he has managed to produce such a large number of haunting photographic images that remain consistent with the tenor of his art as a whole, while expanding its technical repertoire and range of possibilities." Signed by Author. Bookseller Inventory # 102345

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Bibliographic Details

Title: Jim Dine: The Photographs, So Far (Four ...

Publisher: Steidl and Partners, Göttingen

Publication Date: 2003

Binding: Hardcover

Book Condition:Near Fine

Dust Jacket Condition: No dust jacket as issued

Signed: Signed by Author(s)

Edition: 1st Edition.

About this title

Synopsis:

Jim Dine became truly excited about the possibilities of photography when he realized that the medium offered the opportunity to quickly and directly access his unconscious, something he seeks to do in all of his art-making. Regardless of which media Dine is working in, he maintains a familiar but ever-expanding repertory of images: tools, hearts and a torso of Venus, plus the more recent iconography of crows, skulls, a Pinocchio doll, and an odd-couple ape and cat. As with his paintings, sculptures and graphic work, for which he is better known, Dine seeks to record his physical and emotional presence concretely, not gesturally. The camera is but one of the many tools he has at his disposal for making such pictures. This refusal to privilege one method over another helps explain how, in the space of only six or seven years, Dine has managed to produce such a large number of haunting photographic images that remain consistent with the tenor of his art as a whole while expanding its technical repertoire and range of possibilities. Though he has been making art for over four decades, producing paintings, sculptures, drawings and prints, as well as performance works, stage and book designs, poetry and even music, Dine has only been working with photography since 1996. Using heliogravure and digital ink-jet processes as well as conventional color and black-and-white photographic printing, Dine imbues his photographs with an intensity that is occasionally traumatic but invariably beautiful. This catalogue raisonn» marks the first comprehensive publication on the photographs of Jim Dine.

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