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Julie Taymor: Playing with Fire

Blumenthal, Eileen; Taymor, Julie

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ISBN 10: 0810935171 / ISBN 13: 9780810935174
Published by Harry N. Abrams
Condition: Very Good Hardcover
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0810935171 Updated and Expanded Edition. Signed American first edition, first printing. Signed on the half title page by author. Published in 1999. Covers are in Very Good + condition. Very light wear to top corners of jacket. Jacket is NOT price clipped. Covers are clean and bright. Edges are sharp. No tears or creases. The book itself is in Near Fine condition. Gift inscription on front end page. The binding is straight and tight. Remainder mark. Bookseller Inventory # SKU1007909

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Bibliographic Details

Title: Julie Taymor: Playing with Fire

Publisher: Harry N. Abrams

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Dust Jacket Included

Edition: 1st Edition

About this title


Julie Taymor is the avant-garde theater magician who turned Disney's The Lion King into a Broadway smash -- and became the first woman to win a Tony Award for best director. This richly illustrated book, the first edition of which was published before Taymor's Broadway triumph, has now been expanded to include The Lion King and other recent Taymor productions, including The Flying Dutchman, The Green Bird, and her forthcoming film of Shakespeare's Titus Andronicus, starring Sir Anthony Hopkins and Jessica Lange.Award-winning theater critic Eileen Blumenthal traces Taymor's background and achievements in theater, opera, and film. Taymor herself provides notes on each of her projects, along with her original drawings for costumes and characters.j


Most people know the work of theater director Julie Taymor, if they know it at all, from her hit adaptation of Walt Disney's The Lion King for the Broadway stage. But this gorgeous book, a pictorial history of the artist's career, demonstrates that for the past 25 years Taymor has been creating original works of theater that combine a stunning visual sense with an extensive knowledge of the performance styles of many countries outside the West. Theater critic and scholar Eileen Blumenthal has followed the work of Taymor almost since its very beginnings, and her lengthy critical assessment of this inspired artist's work combines interviews with the director with a cogent analysis of her intellectual development and cultural sources.

From her days as a teenager studying the people and theater of Bali to her travels in Japan, Europe, and then back to New York, Taymor has reveled in the cross-fertilization of different images and ideas from a wide variety of countries. Her critically lauded piece The Transposed Heads, for example, was adapted from a Thomas Mann novella that was itself based on an ancient Indian folktale. Unlike most directors, Taymor came from the world of the designer, and it was her exquisite work creating costumes, masks, and puppets that first launched her into work in the theater. But gradually she gained the respect of actors as well, and now is regarded as a director of uncommon sensitivity, who can pull performances from a cast that match in intensity her phenomenal visual eye.

Lavishly illustrated with color and black and white photographs, this is a fitting tribute to a woman who, still in her 40s, is nothing short of a theatrical prodigy. As Taymor moves further into the world of commercial theater and film (her upcoming cinematic production of Titus, starring Anthony Hopkins and Jessica Lange and adapted from her own stage production of Titus Andronicus, opens soon), more audiences than ever will be treated to her extraordinary work. --John Longenbaugh

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