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The Landscape of Stalinism: The Art and Ideology of Soviet Space (Studies in Modernity and National... The Landscape of Stalinism: The Art and Ideology of Soviet Space (Studies in Modernity and National... The Landscape of Stalinism: The Art and Ideology of Soviet Space (Studies in Modernity and National...

The Landscape of Stalinism: The Art and Ideology of Soviet Space (Studies in Modernity and National Identity)

Dobrenko, Evgeny; Naiman, Eric

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ISBN 10: 0295983337 / ISBN 13: 9780295983332
Published by University of Washington Press, 2003
New Condition: New Hardcover
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New Book. First Edition, First Printing. NOT a remainder. NOT a book club edition. Published by University of Washington Press, 2003. Black cloth boards with bright gold stamped spine lettering. Book is new; clean, tight, sharp corners, bright spine lettering. Dust jacket is new. No writing, highlighting, underlining, dog ears, etc. No rips or tears. Pages and boards crisp and straight. Spine un-broken with no spine lean. Book in un-read condition. Octavo. 315 pages. ISBN: 0-295-98333-7. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Bookseller Inventory # ABE-17380661651

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Bibliographic Details

Title: The Landscape of Stalinism: The Art and ...

Publisher: University of Washington Press

Publication Date: 2003

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: New

Edition: 1st Edition

About this title

Synopsis:

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet “culture.” In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin.

From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and “sold” as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls “a cartography of power” -- an organization of the entire country into “a hierarchy of spheres of relative sacredness,” with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central.

Examining representations of space in objects as diverse as postage stamps, a hikers’ magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

Book Description:

A wide-ranging collection of essays exploring the promotion of Bolshevik Party ideology in the arts

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